{"title":"Geoffrey Doig-Marx","description":"\u003cp\u003e\u003cimg style=\"max-height: 300px; max-width:55%\" src=\"https:\/\/helloart-prod-bucket.s3.ca-central-1.amazonaws.com\/media\/artist\/geoffrey-doig-marx\/geoffrey-doig-marx-profile.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eGeoffrey Doig-Marx (GDM) is a multidisciplinary American artist whose creative career spans visual art, dance, choreography, theatre, photography, writing, education, and design. A self-taught visual artist, Geoffrey began painting after moving to Harlem in 2011, discovering a new artistic language rooted in movement, emotion, color, identity, and the human figure.\r\u003cbr\u003e\r\u003cbr\u003eHis work reflects a lifetime of storytelling and reinvention. Before establishing himself as a visual artist, Geoffrey built a career of more than four decades as a professional dancer, choreographer, director, and educator. That background remains deeply present in his artwork: figures seem to move across the canvas, gestures carry emotional weight, and composition is approached with the same sense of rhythm and theatricality that shaped his work onstage.\r\u003cbr\u003e\r\u003cbr\u003eGeoffrey's paintings have been exhibited throughout New York City, including his first solo exhibition at The Lanyon 36 Gallery in 2015. He has held extended artistic residencies at POSH NYC, The West End Lounge, and The Pecora in Harlem, and his work has been displayed in prominent dance and cultural spaces.\r\u003cbr\u003e\r\u003cbr\u003eHis visual practice ranges from figurative portraiture to abstraction and mixed-media work, often incorporating unconventional materials, found objects, text, tape, and layered surfaces. Themes of identity, memory, sexuality, resilience, popular culture, and the experience of being seen—or overlooked—run throughout his work.\r\u003cbr\u003e\r\u003cbr\u003eGeoffrey continues to maintain an active career in the performing arts and education, teaching Jazz Dance at Marymount Manhattan College, Montclair State University, and Northeastern University in New York City. He is also an author and entrepreneur and the creator of a patented dancewear concept designed to help maintain warmth around the hamstrings while allowing freedom of movement.\r\u003cbr\u003e\r\u003cbr\u003eWhether working with paint, a camera, a dancer, a piece of text, or a garment, Geoffrey approaches each medium as another way to tell a story. His work is ultimately connected by one enduring fascination: people—their bodies, histories, contradictions, vulnerability, and extraordinary capacity for reinvention.\u003cbr\u003e\u003c\/p\u003e\u003ch4\u003eARTIST’S STATEMENT\u003c\/h4\u003e\u003cp\u003eMy work begins with the human figure, but it is rarely just about the body. I am interested in what the body carries—history, identity, sexuality, vulnerability, strength, memory, and the marks left by our experiences.\r\u003cbr\u003e\r\u003cbr\u003eI spent much of my life as a dancer, choreographer, and performer, so movement has always been my first language. When I began painting, that language simply moved from the stage to the canvas. I approach a painting much as I approach choreography: through gesture, rhythm, tension, balance, instinct, and the relationship between what is revealed and what remains hidden.\r\u003cbr\u003e\r\u003cbr\u003eMy work is often raw, layered, and imperfect by design. I use figures, words, symbols, found materials, paint, tape, and unexpected marks to create surfaces that feel lived in rather than polished. I am drawn to beauty, but I am equally interested in discomfort. Some works confront sexuality and identity; others explore religion, memory, prejudice, humor, or the private experiences we carry with us.\r\u003cbr\u003e\r\u003cbr\u003eI do not want to tell the viewer exactly what to see. I want the work to begin a conversation. A figure may appear beautiful to one person and unsettling to another. A word can wound, empower, or completely change meaning depending on who is reading it. That tension interests me.\r\u003cbr\u003e\r\u003cbr\u003eUltimately, my paintings are an extension of the way I have always created: instinctively, physically, and without much interest in staying inside one category. Whether I am working with a dancer onstage or a figure on canvas, I am searching for the same thing—a moment that feels honest, human, and alive.\r\u003cbr\u003e\r\u003cbr\u003eGeoffrey Doig-Marx (GDM)\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"after-all-it-was-the-60s","title":"After All It Was the 60's","description":"\u003cp\u003e\u003cspan\u003eAcrylic on canvas.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e36x36x875\"\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eAbsolutely. Here’s a polished artist bio that emphasizes your visual art while connecting it naturally to your long career in dance, theatre, writing, and design.\r\u003cbr\u003eGeoffrey Doig-Marx (GDM) is a multidisciplinary American artist whose creative career spans visual art, dance, choreography, theatre, photography, writing, education, and design. A self-taught visual artist, Geoffrey began painting after moving to Harlem in 2011, discovering a new artistic language rooted in movement, emotion, color, identity, and the human figure.\r\u003cbr\u003eHis work reflects a lifetime of storytelling and reinvention. Before establishing himself as a visual artist, Geoffrey built a career of more than four decades as a professional dancer, choreographer, director, and educator. That background remains deeply present in his artwork: figures seem to move across the canvas, gestures carry emotional weight, and composition is approached with the same sense of rhythm and theatricality that shaped his work onstage.\r\u003cbr\u003e\r\u003cbr\u003eGeoffrey's paintings have been exhibited throughout New York City, including his first solo exhibition at The Lanyon 36 Gallery in 2015. He has held extended artistic residencies at POSH NYC, The West End Lounge, and The Pecora in Harlem, and his work has been displayed in prominent dance and cultural spaces.\r\u003cbr\u003e\r\u003cbr\u003eHis visual practice ranges from figurative portraiture to abstraction and mixed-media work, often incorporating unconventional materials, found objects, text, tape, and layered surfaces. Themes of identity, memory, sexuality, resilience, popular culture, and the experience of being seen—or overlooked—run throughout his work.\r\u003cbr\u003e\r\u003cbr\u003eGeoffrey continues to maintain an active career in the performing arts and education, teaching Jazz Dance at Marymount Manhattan College, Montclair State University, and Northeastern University in New York City. He is also an author and entrepreneur and the creator of Tech Tight, a patented dancewear concept designed to help maintain warmth around the hamstrings while allowing freedom of movement.\r\u003cbr\u003e\r\u003cbr\u003eWhether working with paint, a camera, a dancer, a piece of text, or a garment, Geoffrey approaches each medium as another way to tell a story. His work is ultimately connected by one enduring fascination: people—their bodies, histories, contradictions, vulnerability, and extraordinary capacity for reinvention.\r\u003cbr\u003eShow more\r\u003cbr\u003eI can also turn this into a tight 150-word gallery bio or a more edgy, contemporary 300-word bio for exhibitions and applications.\r\u003cbr\u003eToday 3:43 PM\r\u003cbr\u003eafter all it was the 60s.\r\u003cbr\u003eIf you want to work the phrase “After all, it was the ’60s” into your artist bio, it could give the opening a more personal, playful voice. For example:\r\u003cbr\u003eGeoffrey Doig-Marx (GDM) — Artist Biography\r\u003cbr\u003eGeoffrey Doig-Marx (GDM) has always been an artist—although it took him a few different mediums to figure that out. Born in 1964, creativity, experimentation, and a little rebellion were there from the beginning. After all, it was the ’60s.\r\u003cbr\u003eA multidisciplinary artist, Geoffrey has spent more than four decades moving between dance, choreography, theatre, photography, painting, writing, education, and design. He began dancing at the age of five and eventually made his way to New York City in 1985, where a life in the arts became not simply a career, but a way of seeing the world.\r\u003cbr\u003e\r\u003cbr\u003eThat same sense of movement and theatricality eventually found its way onto the canvas. Geoffrey’s visual work explores the human figure, identity, sexuality, memory, popular culture, and the strange, beautiful imperfections of being human. His paintings range from figurative portraiture to abstraction and mixed media, often incorporating text, found objects, tape, layered surfaces, and unexpected materials.\r\u003cbr\u003e\r\u003cbr\u003eWhether working with a dancer, a canvas, a camera, a piece of writing, or a garment, Geoffrey approaches each medium in much the same way: tell the story, take the risk, and never be afraid to make a little trouble.\r\u003cbr\u003e\r\u003cbr\u003eAfter all, it was the ’60s.\r\u003cbr\u003eThat last callback gives it a little wink and makes the phrase feel intentional rather than just biographical.\r\u003cbr\u003ecreate a story about why I painted this.\r\u003cbr\u003eAfter All, It Was the ’60s\r\u003cbr\u003eI painted this as a memory of a time I was almost too young to remember, but somehow never really left me.\r\u003cbr\u003eI was born in 1964, right in the middle of a decade when everything seemed to be changing—music, fashion, art, politics, sexuality, and the rules people had been told they were supposed to live by. I don't remember all of it, of course, but the imagery of that period became part of my visual vocabulary: bold colors, graphic lines, advertising, album covers, pop art, television, and women with impossibly perfect hair and eyeliner.\r\u003cbr\u003e\r\u003cbr\u003eThe woman in this painting isn't anyone in particular. To me, she's more like a memory of a woman who could have existed. Maybe I saw her on television. Maybe she was in a magazine sitting on the coffee table. Maybe she was someone's mother, someone's girlfriend, or the glamorous woman walking down the street who made you turn your head.\r\u003cbr\u003e\r\u003cbr\u003eI wanted her to feel beautiful and composed, but also slightly removed—as though she's lost in a thought we'll never get to hear. The red, blue, black, and white are deliberately loud and unapologetic. There's something wonderfully artificial about them, like the packaging, advertising, and pop culture of the era.\r\u003cbr\u003e\r\u003cbr\u003eThere's nostalgia in this painting, but there's also humor. I wasn't interested in recreating the 1960s perfectly. I wanted to paint the way the '60s exist in my head: bright, sexy, graphic, chaotic, glamorous, and just a little strange.\r\u003cbr\u003e\r\u003cbr\u003eThen again, after all, it was the ’60s.\u003cbr\u003e\u003c\/p\u003e","brand":"Geoffrey Doig-Marx","offers":[{"title":"Default Title","offer_id":50313468543079,"sku":null,"price":1440.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/3038\/4487\/files\/1_1790106399_68478.jpg?v=1790173222"},{"product_id":"the-girl-in-the-black-and-white-photograph","title":"The Girl in the Black and White Photograph","description":"\u003cp\u003e\u003cspan\u003eAcrylic on canvas.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e36x36x875\"\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eThe Girl in the Black and White Photograph\r\u003cbr\u003eI found her in an old black-and-white photograph.\r\u003cbr\u003e\r\u003cbr\u003eI didn’t know her name, where she lived, or what became of her. There was something in her face that made me stop—a quietness, a distance, as if she were looking beyond the camera and into another life.\r\u003cbr\u003e\r\u003cbr\u003eI began to wonder who she was.\r\u003cbr\u003e\r\u003cbr\u003eSo I took her out of the photograph and gave her color. I surrounded her with turquoise, black and white, pattern and movement, but I left her untouched—still belonging somehow to that photograph and the moment in which she was captured.\r\u003cbr\u003e\r\u003cbr\u003eShe is someone I never knew, from a story I will never completely know.\r\u003cbr\u003e\r\u003cbr\u003eAnd maybe that is why I painted her.\u003cbr\u003e\u003c\/p\u003e","brand":"Geoffrey Doig-Marx","offers":[{"title":"Default Title","offer_id":50313477750887,"sku":null,"price":1440.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/3038\/4487\/files\/1_1790107355_64007.jpg?v=1790173744"},{"product_id":"the-christian-dior","title":"The Christian Dior","description":"\u003cp\u003e\u003cspan\u003eAcrylic on canvas.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e48x48\"\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eMy Christian Dior\r\u003cbr\u003e\r\u003cbr\u003eThere was something about Dior that always felt like more than fashion to me. It was architecture, movement, elegance—and theatre.\r\u003cbr\u003e\r\u003cbr\u003eIn My Christian Dior, I wanted the woman to feel as though she had stepped out of another era and landed in my world. Her black dress twists and expands across the canvas, almost taking on a life of its own. The controlled elegance of the figure collides with the explosion of color surrounding her.\r\u003cbr\u003e\r\u003cbr\u003eThe dress may belong to Dior, but the world around her belongs to me.\r\u003cbr\u003e\r\u003cbr\u003eShe is poised, glamorous, and completely composed while everything around her dances.\r\u003cbr\u003e\r\u003cbr\u003ePerhaps that is what elegance really is—remaining still while the world explodes around you.\u003cbr\u003e\u003c\/p\u003e","brand":"Geoffrey Doig-Marx","offers":[{"title":"Default Title","offer_id":50313485779047,"sku":null,"price":7190.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/3038\/4487\/files\/1_1790107897_31303.jpg?v=1790174167"},{"product_id":"i-went-for-a-walk-in-a-garden-of-chalk","title":"I Went for a Walk in a Garden of Chalk","description":"\u003cp\u003e\u003cspan\u003eAcrylic on canvas.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e36x36x875\"\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eI went for a walk in a garden of chalk, where everything felt temporary. The flowers, the paths, even the shadows seemed as though they could disappear with the first rain. I moved through this fragile landscape thinking about memory—what we hold onto, what fades, and what remains after something has been erased.\r\u003cbr\u003e\r\u003cbr\u003eThe garden became a place somewhere between the real and the imagined. Chalk leaves a mark, but never promises permanence. Perhaps that is why I was drawn there.\u003cbr\u003e\u003c\/p\u003e","brand":"Geoffrey Doig-Marx","offers":[{"title":"Default Title","offer_id":50313485811815,"sku":null,"price":2160.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/3038\/4487\/files\/1_1790098692_74788.jpg?v=1790174182"},{"product_id":"three-french-hens","title":"Three French hens","description":"\u003cp\u003e\u003cspan\u003eAcrylic on canvas.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e40x30\"\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eThree French Hens\r\u003cbr\u003e\r\u003cbr\u003eI wanted to take something familiar and a little ridiculous—three French hens—and turn them into three fabulous French women.\r\u003cbr\u003e\r\u003cbr\u003eThey stand together like they’ve just stepped out of a Paris fashion show: confident, elegant, slightly aloof, and completely aware that they look marvelous. Their shocking pink bodies push against a wild blue world filled with color, movement, and energy.\r\u003cbr\u003e\r\u003cbr\u003eThere are no feathers, no beaks, and certainly no chicken coop. These hens have traded all of that for couture.\r\u003cbr\u003e\r\u003cbr\u003eThey are fashionable. They are French. They are fabulous.\r\u003cbr\u003e\r\u003cbr\u003eAnd they have absolutely no intention of laying eggs.\u003cbr\u003e\u003c\/p\u003e","brand":"Geoffrey Doig-Marx","offers":[{"title":"Default Title","offer_id":50313490071655,"sku":null,"price":2880.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/3038\/4487\/files\/1_1790108282_10249.jpg?v=1790174408"},{"product_id":"as-the-blossom-fades","title":"As the blossom fades","description":"\u003cp\u003e\u003cspan\u003eAcrylic, pastel on canvas.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e30x40\"\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eAs the Blossom Fades\r\u003cbr\u003e\r\u003cbr\u003eI painted this woman at a moment when beauty is changing.\r\u003cbr\u003eShe sits surrounded by color—almost swallowed by it. The brilliant yellow, the field of marks behind her, the enormous red shape, and that beautiful blue dress all suggest abundance and life. Yet her face is nearly without color. She is quiet, still, and somehow separated from everything blooming around her.\r\u003cbr\u003e\r\u003cbr\u003eAs the Blossom Fades is about what happens when we realize that nothing stays at its peak forever.\r\u003cbr\u003e\r\u003cbr\u003eWe spend so much of our lives celebrating youth, beauty, beginnings, and things in full bloom. But there is beauty in what comes afterward too. Flowers fade. Bodies change. Faces change. Careers change. Relationships change. We change.\r\u003cbr\u003e\r\u003cbr\u003eThe woman isn't disappearing. She is becoming something else.\r\u003cbr\u003e\r\u003cbr\u003eI deliberately left her expression ambiguous. I don't know if she is sad, reflective, exhausted, or completely at peace. Maybe she is simply sitting with the knowledge that time has passed—and understanding that there is nothing tragic about that.\r\u003cbr\u003e\r\u003cbr\u003eThe flowers may eventually fall away, but what remains is the person who lived among them.\r\u003cbr\u003e\r\u003cbr\u003eSometimes the blossom has to fade before we can see what was underneath it all along.\u003cbr\u003e\u003c\/p\u003e","brand":"Geoffrey Doig-Marx","offers":[{"title":"Default Title","offer_id":50313493381223,"sku":null,"price":1440.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/3038\/4487\/files\/1_1790108639_92921.jpg?v=1790174506"},{"product_id":"the-foreigner","title":"The Foreigner","description":"\u003cp\u003e\u003cspan\u003eAcrylic on canvas.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e40x30\"\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eThe Foreigner\r\u003cbr\u003e\r\u003cbr\u003eI painted The Foreigner upside down because sometimes that is exactly what it feels like to be the person who doesn't quite belong.\r\u003cbr\u003e\r\u003cbr\u003eEveryone else seems to understand the rules. They know the language, the customs, where to stand, what to say, and how they are expected to behave. The foreigner enters that world from a completely different direction. What is ordinary to everyone else can feel strange, confusing, even absurd.\r\u003cbr\u003e\r\u003cbr\u003eThe bright colors and patterns surrounding him suggest a world that is alive and inviting, but he remains separate from it. His eyes look directly at us, almost asking, Am I looking at your world upside down—or are you looking at mine that way?\r\u003cbr\u003e\r\u003cbr\u003eFor me, the word foreigner\u003cbr\u003e\u003c\/p\u003e","brand":"Geoffrey Doig-Marx","offers":[{"title":"Default Title","offer_id":50313493905511,"sku":null,"price":2880.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/3038\/4487\/files\/1_1790109246_70253.jpg?v=1790174548"},{"product_id":"a-mind-at-work","title":"A Mind at Work","description":"\u003cp\u003e\u003cspan\u003eAcrylic on canvas.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e36x36x875\"\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eA Mind at Work\r\u003cbr\u003e\r\u003cbr\u003eI painted this piece to capture what it feels like when the outside world becomes quiet but the mind refuses to follow.\r\u003cbr\u003eHer eyes are closed. She appears calm, almost meditative, but behind that stillness is an explosion of thoughts—ideas, questions, memories, fragments, symbols, problems, possibilities. Some connect. Some go nowhere. Some probably shouldn't be there at all. That is how my mind works.\r\u003cbr\u003e\r\u003cbr\u003eThe blue surrounding her head became the space where all of that activity could live. I filled it with marks, spirals, equations, dots, lines, and symbols without requiring them to make literal sense. They represent the constant movement of a creative mind—the strange journey from one thought to another and another until, somehow, an idea emerges.\r\u003cbr\u003e\r\u003cbr\u003eAs an artist, dancer, choreographer, teacher, writer, and designer, I have spent most of my life creating. I've learned that creativity isn't always peaceful or organized. Sometimes it's messy. Sometimes it's obsessive. Sometimes your brain simply won't shut up.\r\u003cbr\u003e\r\u003cbr\u003eThe closed eyes are important to me. While everything around her is moving, she is still. There is an entire universe happening inside her that no one else can see.\r\u003cbr\u003e\r\u003cbr\u003eThat's really what this painting is about.\r\u003cbr\u003e\r\u003cbr\u003eThe body may be resting, but the mind is still at work.\u003cbr\u003e\u003c\/p\u003e","brand":"Geoffrey Doig-Marx","offers":[{"title":"Default Title","offer_id":50313518514279,"sku":null,"price":865.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/3038\/4487\/files\/1_1790106901_85238.jpg?v=1790174843"},{"product_id":"what-is-written-is-not-always-true","title":"What is written is not always true","description":"\u003cp\u003e\u003cspan\u003eAcrylic on canvas.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e30x40\"\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eThis painting explores the weight of language and the lasting impact of everyday prejudice. The figure is rendered in black, transforming the body into a chalkboard. Covering the surface are symbols that correspond to letters of the alphabet, spelling words and slurs that LGBTQ+ people are too often subjected to in everyday life.\r\u003cbr\u003e\r\u003cbr\u003eThe chalkboard became a powerful metaphor for me. Like chalk, these words can be erased at the end of the day, but the experience of carrying them cannot. Each morning the surface may appear clean, yet the memory of what was written remains. The work speaks to the resilience required to face these insults repeatedly, while also suggesting the possibility of renewal and reclaiming one's identity despite them.\u003cbr\u003e\u003c\/p\u003e","brand":"Geoffrey Doig-Marx","offers":[{"title":"Default Title","offer_id":50313538175079,"sku":null,"price":1440.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/3038\/4487\/files\/1_1790120317_30832.jpg?v=1790175652"},{"product_id":"alone-on-a-saturday-night","title":"Alone on a Saturday Night","description":"\u003cp\u003e\u003cspan\u003eAcrylic on canvas.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e36x36\"\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eAlone on a Saturday Night\r\u003cbr\u003eI painted this thinking about those Saturday nights when it feels like everyone else in the world has somewhere to be.\r\u003cbr\u003e\r\u003cbr\u003eShe is surrounded by color, pattern, movement, and noise, yet she is completely alone. Her eyes are closed and her head rests in her hand. I wanted her to look caught somewhere between boredom, sadness, exhaustion, and thought. Maybe she is waiting for the phone to ring. Maybe she turned down an invitation. Maybe no invitation ever came.\r\u003cbr\u003e\r\u003cbr\u003eThere is almost too much happening around her. The circles, dots, and intense colors become the party she isn't attending—the noise of the world continuing without her.\r\u003cbr\u003e\r\u003cbr\u003eBut I didn't want the painting to simply be about loneliness. There is something strangely beautiful about being alone. When no one is watching, we don't have to perform. We don't have to be charming, entertaining, attractive, successful, or interesting. We can simply exist.\r\u003cbr\u003eI've spent much of my life surrounded by people—dancers, actors, students, audiences, friends. And yet some of the most creative moments happen when all of that disappears and I am left alone with myself.\r\u003cbr\u003e\r\u003cbr\u003eSo perhaps she isn't lonely at all.\r\u003cbr\u003e\r\u003cbr\u003eMaybe she's just alone on a Saturday night.\r\u003cbr\u003e\r\u003cbr\u003eAnd sometimes there is a very big difference.\u003cbr\u003e\u003c\/p\u003e","brand":"Geoffrey Doig-Marx","offers":[{"title":"Default Title","offer_id":50313540763751,"sku":null,"price":2160.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/3038\/4487\/files\/1_1790120701_61974.jpg?v=1790175712"},{"product_id":"amongst-the-zinnias","title":"Amongst the zinnias","description":"\u003cp\u003e\u003cspan\u003eAcrylic on canvas.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e36x36\"\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eYears ago, I stumbled upon a hidden garden in Albany, New York. One evening, I happened to meet its owner. After a long conversation, she generously invited me to return whenever I wished. At the time, I was a punk rocker, and that unexpected sanctuary became a place of quiet refuge.\u003cbr\u003e\u003c\/p\u003e","brand":"Geoffrey Doig-Marx","offers":[{"title":"Default Title","offer_id":50313542140007,"sku":null,"price":2880.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/3038\/4487\/files\/1_1790122292_87280.jpg?v=1790175892"},{"product_id":"you-don-t-need-to-keep-bees-to-wear-a-hat-like-this","title":"You don’t need to keep bees to wear a hat like this","description":"\u003cp\u003e\u003cspan\u003eAcrylic on canvas.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e36x36\"\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eYou Don’t Need to Keep Bees to Wear a Hat Like This\r\u003cbr\u003e\r\u003cbr\u003eShe has never kept bees.\r\u003cbr\u003e\r\u003cbr\u003eIn fact, she has absolutely no intention of keeping bees.\r\u003cbr\u003eBut she saw the hat and understood immediately: this was not protective equipment. This was an attitude.\r\u003cbr\u003e\r\u003cbr\u003eBehind the veil, she can watch the world without the world quite knowing what she is thinking. The enormous black brim announces her before she ever says a word, while the brilliant red surrounding her makes disappearing nearly impossible.\r\u003cbr\u003e\r\u003cbr\u003eThe flowers are blooming. The bees may be buzzing. She couldn’t care less.\r\u003cbr\u003eThis painting is about the joy of dressing for absolutely no practical reason. It celebrates mystery, glamour, humor, and the wonderful absurdity of fashion.\r\u003cbr\u003e\r\u003cbr\u003eBecause sometimes you don’t wear the hat because you need it.\r\u003cbr\u003e\r\u003cbr\u003eYou wear it because everyone else needs to see you in it.\u003cbr\u003e\u003c\/p\u003e","brand":"Geoffrey Doig-Marx","offers":[{"title":"Default Title","offer_id":50313546793063,"sku":null,"price":1440.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/3038\/4487\/files\/1_1790122694_17532.jpg?v=1790175935"},{"product_id":"does-anyone-still-wear-a-hat","title":"Does Anyone Still Wear a Hat?","description":"\u003cp\u003e\u003cspan\u003eAcrylic on canvas.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e36x36\"\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eDoes Anyone Still Wear a Hat?\r\u003cbr\u003e\r\u003cbr\u003eThere was a time when a hat completed you.\r\u003cbr\u003eYou didn’t simply leave the house—you made an entrance. A hat could announce your mood, your status, your confidence, or simply your refusal to disappear into the crowd.\r\u003cbr\u003e\r\u003cbr\u003eDoes Anyone Still Wear a Hat? is my playful nod to that lost bit of glamour. The figure sits quietly at the center while the world around them explodes with color, flowers, lines, and movement. There is nostalgia here, but also celebration—a memory of dressing up simply because life gave you somewhere to go.\r\u003cbr\u003e\r\u003cbr\u003eAnd maybe the question isn’t really whether anyone still wears a hat.\r\u003cbr\u003e\r\u003cbr\u003eMaybe it’s when did we stop making an entrance?\u003cbr\u003e\u003c\/p\u003e","brand":"Geoffrey Doig-Marx","offers":[{"title":"Default Title","offer_id":50313547415655,"sku":null,"price":1150.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/3038\/4487\/files\/1_1790123030_25408.jpg?v=1790175994"},{"product_id":"la-maison-du-rouge","title":"la maison du rouge","description":"\u003cp\u003e\u003cspan\u003eAcrylic on canvas.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e36x36\"\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eLa Maison du Rouge\r\u003cbr\u003e\r\u003cbr\u003eShe lives in a house of red.\r\u003cbr\u003e\r\u003cbr\u003eNot a literal house, but a place built from passion, confidence, memory, and a little mystery. She has learned that you don’t always have to look directly at the world to understand it. Sometimes closing your eyes allows you to see more clearly.\r\u003cbr\u003e\r\u003cbr\u003eLa Maison du Rouge is about a woman completely at home within herself. The oversized hat becomes both shelter and statement, while the flowers surrounding her soften the intensity of the red. She is elegant but not fragile, quiet but certainly not invisible.\r\u003cbr\u003e\r\u003cbr\u003eThere is something wonderfully French about her—or perhaps it is simply the romance we attach to the idea of France: fashion, mystery, beauty, independence, and the confidence to wear an enormous hat for absolutely no reason at all.\r\u003cbr\u003e\r\u003cbr\u003eShe does not need our attention.\r\u003cbr\u003e\r\u003cbr\u003eBut somehow, she has it.\u003cbr\u003e\u003c\/p\u003e","brand":"Geoffrey Doig-Marx","offers":[{"title":"Default Title","offer_id":50313548628071,"sku":null,"price":1440.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/3038\/4487\/files\/1_1790123328_71905.jpg?v=1790176093"},{"product_id":"my-christian-dior-i-wore-then-tore","title":"my christian dior i wore then tore","description":"\u003cp\u003e\u003cspan\u003eAcrylic on canvas.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e36x36\"\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eMy Christian Dior: I Wore, Then Tore\r\u003cbr\u003e\r\u003cbr\u003eI loved it. I wore it. And then I tore it.\r\u003cbr\u003e\r\u003cbr\u003eThere is something almost tragic about ruining a beautiful piece of clothing—especially when it carries a name like Christian Dior. But clothes are meant to be lived in, and sometimes the things we love most carry the evidence that we actually used them.\r\u003cbr\u003e\r\u003cbr\u003eMy Christian Dior: I Wore, Then Tore is less about the dress itself and more about what remains after the glamour is gone. The figure is composed and elegant, surrounded by flowers and saturated in warm gold and orange, as though she exists inside a memory of another time.\r\u003cbr\u003eI wanted the painting to feel nostalgic without being sad. Fashion fades. Fabric tears. Bodies change. Years pass.\r\u003cbr\u003e\r\u003cbr\u003eBut for a moment, you wore something beautiful and felt extraordinary in it.\r\u003cbr\u003e\r\u003cbr\u003eThe Dior may have torn. The memory didn’t.\u003cbr\u003e\u003c\/p\u003e","brand":"Geoffrey Doig-Marx","offers":[{"title":"Default Title","offer_id":50313551970407,"sku":null,"price":1440.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/3038\/4487\/files\/1_1790123582_84791.jpg?v=1790176235"},{"product_id":"on-the-boulevard","title":"On The Boulevard","description":"\u003cp\u003e\u003cspan\u003eAcrylic on canvas.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e36x36\"\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eOn the Boulevard\r\u003cbr\u003e\r\u003cbr\u003eHe walks the boulevard as though he has nowhere in particular to be—and all the time in the world to get there.\r\u003cbr\u003e\r\u003cbr\u003eThe sun is warm, the flowers are blooming, and beneath the wide brim of his hat, he seems perfectly content to let the world pass by. His eyes are closed, but he isn’t lost. He is simply enjoying the moment.\r\u003cbr\u003e\r\u003cbr\u003eOn the Boulevard is about those rare afternoons when life asks nothing of us. No appointments. No explanations. No destination. Just warmth on your face, a good hat, and the pleasure of wandering.\r\u003cbr\u003e\r\u003cbr\u003eThere is confidence in his stillness and elegance in his simplicity.\r\u003cbr\u003e\r\u003cbr\u003eSometimes the best place to be is somewhere between where you’ve been and where you’re going.\u003cbr\u003e\u003c\/p\u003e","brand":"Geoffrey Doig-Marx","offers":[{"title":"Default Title","offer_id":50313576775783,"sku":null,"price":1440.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/3038\/4487\/files\/1_1790124017_50919.jpg?v=1790176416"},{"product_id":"the-jaunty-hat","title":"The Jaunty Hat","description":"\u003cp\u003e\u003cspan\u003eAcrylic on canvas.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e36x36\"\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eThe Jaunty Hat\r\u003cbr\u003e\r\u003cbr\u003eThere are hats—and then there are hats with personality.\r\u003cbr\u003e\r\u003cbr\u003eThe Jaunty Hat is about that little tilt of confidence that can change everything. The brim sweeps across the face, the color refuses to behave quietly, and the figure seems completely aware of the effect they are having without ever needing to look at us.\r\u003cbr\u003e\r\u003cbr\u003eI wanted this painting to feel playful, stylish, and just a little mischievous. The electric yellow, brilliant red, and turquoise flowers dance against the black background, turning a simple portrait into a celebration of individuality.\r\u003cbr\u003e\r\u003cbr\u003eBecause a jaunty hat isn’t really about covering your head.\r\u003cbr\u003e\r\u003cbr\u003eIt’s about tipping it at the world and saying, “Yes, I know exactly what I’m doing.”\u003cbr\u003e\u003c\/p\u003e","brand":"Geoffrey Doig-Marx","offers":[{"title":"Default Title","offer_id":50313682026599,"sku":null,"price":1440.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/3038\/4487\/files\/1_1790124346_10398.jpg?v=1790176776"},{"product_id":"madison-avenue","title":"Madison Avenue","description":"\u003cp\u003e\u003cspan\u003eAcrylic on canvas.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e36x36x1\"\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eMadison Avenue: A Mysterious Dame\r\u003cbr\u003e\r\u003cbr\u003eShe appeared one evening on Madison Avenue as though she had stepped out of another time.\r\u003cbr\u003e\r\u003cbr\u003eNo one knew her name. No one ever saw her arrive. She simply moved through the city wrapped in black, her face hidden beneath an enormous hat, revealing only a flash of porcelain skin and a perfectly painted red mouth.\r\u003cbr\u003e\r\u003cbr\u003ePeople noticed her, of course. How could they not?\r\u003cbr\u003e\r\u003cbr\u003eBut she never seemed interested in being seen.\r\u003cbr\u003e\r\u003cbr\u003eThe turquoise and green of the city swirled around her—storefronts, traffic, money, fashion, noise—yet she remained perfectly composed. Untouchable. One hand rested against her chest as if protecting a secret she had carried for years.\r\u003cbr\u003e\r\u003cbr\u003ePerhaps she was wealthy. Perhaps she had lost everything. Perhaps she was meeting a lover three blocks away.\r\u003cbr\u003e\r\u003cbr\u003eOr perhaps she simply understood something the rest of us had forgotten:\r\u003cbr\u003e\r\u003cbr\u003eMystery is sometimes more seductive than being known.\u003cbr\u003e\u003c\/p\u003e","brand":"Geoffrey Doig-Marx","offers":[{"title":"Default Title","offer_id":50313884237927,"sku":null,"price":2160.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/3038\/4487\/files\/1_1790121110_89676.jpg?v=1790178487"}],"url":"https:\/\/helloart.com\/collections\/geoffrey-doig-marx.oembed","provider":"helloart","version":"1.0","type":"link"}