Original Art Piece

FAQ de l’acheteur

Acrylic, ink, spray paint, dyed linen on raw canvas.

44x44x2"

Through her poem Unnamed, Porsha Olayiwola uses her voice to respond to the following comment captured on TikTok by a caucasian woman: “Black people are notorious for naming their children 25-letter names that they’re never gonna get even pronounced right let alone spelled right, why would you do that?”

Knowing the origin of one’s name is a privilege. Porscha Olayiwola points out how having to bear the name of your oppressor because it is the only title you’ve ever known, is a life sentence of re-traumatization. The motivation behind this piece is based on an abstracted concept of a map and what it might look like to imagine people who share the same history, trauma and origin stories scattered all over the world. The small textile “petals” that reference the magnolia tree from Porsha Olayiwola’s poem were cut out of large sheets of 100% cotton linen, some of which was naturally dyed a soft pink with avocado skins, some of which are covered in text from the poem Unnamed. The namesake origins that Porsha Olayiwola speaks about carry the paradox of triumph and eventual freedom from slavery in tandem with the permanent stains and painful markings of an unjust and brutal history that precedes it.

To arrogantly question the intention and “absurdity” behind names of different cultures and “otherness” is a golden privilege of the oppressor.

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The VOICES (That’s What She Said) collection is a celebration of the way women have used their words and voices to empower themselves and others. This collection was exhibited as an audio-visual immersive experience at the McMaster research-based performance LIVELab theater in Hamilton, Ontario during Hamilton Arts Week in which the theater was converted into a gallery space where original works of art were displayed in tandem with streaming audio featuring the recorded voice of the original woman speaker.

The chatter of all the voices over the speakers at once created a sense of chaos and confusion, prompting attendees to ask themselves the questions: Whose voices are you giving your attention to? Whose voices deserve more or less attention? How do you discern who you’re listening to when confronted with an overwhelming amount of noise? In a time when social media and mainstream media has the potential to distract from the important messages that women are eager to share with the public, the VOICES (That’s What She Said) audio-visual immersive exhibition acts as a physical reenactment of the media platforms in which women’s voices are either being elevated or dismissed, depending on the audience.

At the risk of overpowering the valuable and impactful messages behind each woman’s monologue, speech or poetry, the artist has decided to depart from her usual format of accompanying her original pieces with poetry of her own, and instead is focusing on communicating the intention behind each work as it was inspired by the words of another woman.

The artist highly encourages the viewer to listen to the original speaker’s voice as she delivers the words she is speaking to a public audience, and where possible, links to purchase the original speaker’s work are provided. By choosing to listen to the words spoken by women through this collection and through other forms of media, the viewer/listener is contributing to elevating women’s voices. Women have value. Their words hold weight. Their experiences matter. After years of existing with the primary purpose of being “seen”, it is time for women to take up more space in platforms that allow us to be seen AND heard.

Tania LaCaria (Canada b. 1985) is an Italian-Canadian artist. She holds a BA in Fine Arts from York University (2006) and a CIDA advanced diploma in Interior Design from Sheridan College (2009). LaCaria launched her residential interior design consulting firm in 2005 and has since traveled the world extensively, gathering inspiration from various cultures and countries where she’s lived, namely in Latin America and South East Asia. Her travels have always influenced her work in art and design and continue to be an important source of inspiration for her. She returned to Canada and settled in Hamilton in 2016, where she currently lives and works.

ARTIST’S STATEMENT

LaCaria’s work explores paradox - the idea that two opposing realities can exist at the same time - with a focus on themes based on gender, sexuality, social structure/class systems, body politics and relationships, often presented in an Abstract Expressionist aesthetic. LaCaria’s mission in life is to form meaningful connections with others, and she does this through her art.

As a conceptual artist, LaCaria thrives in a state of curiosity, eager to ask questions of herself and the world around her during her creative process while admitting she doesn't have the answers. Her background in Interior Design blends seamlessly with her love for visual arts as LaCaria spent the majority of her professional life as a solutionist for her clients. Now, as a full-time professional artist, LaCaria is eager to share her curiosity with others by producing thought-provoking work that prompts viewers to ask questions about themselves and their life experiences.

In order to ensure viewers make an emotional connection to her visual works, LaCaria exhibits and presents her work alongside her poetry, her preferred method of story-telling, to provide additional context to the motivation behind her creative decisions. Her creative process has been described as ‘performative’ with an emphasis on the deep introspection, vulnerability and social observations she is making that are often juxtaposed by the playful, “fun” and seemingly light-hearted way her often brightly colored work presents to viewers.