Digital photography on cold press bright paper.
5x7x1"
Limited edition 1 of 25.
One Millionth in the Sense of Yesterday is an ongoing series. This series is a glimpse into my state of mind as I move through and photograph the city. These works are about how although people may live and “see” the city daily, it is not a view they take in - the people become like ghosts in daily life, existing without reflection. Each photo is inspired by the music I listen to as I shoot and edit - lyrics often becoming the title of the work, both giving a glimpse into my state of mind and fitting to the goings on around. These images beg the question: Is it the city that is soulless? Or is it the people who live within its borders?
Sabrina Leeder is a photographer from the Toronto region. Leeder holds a BFA majoring in photography from OCAD University graduating in 2016. She also spent a semester abroad studying at Glasgow School of Fine Art in January 2015.
Leeder’s works have hung in various venues in the GTA including the Kent Farndale Gallery, the John B. Aird Gallery, the SCA Gallery and Preston Gallery. Leeder has exhibited in Finland as part of a group show in Tampere - Desire the Double Edged Sword. In 2013, she had the opportunity to shoot for the NHL in Ottawa and was granted a photography internship with The Hockey Hall of Fame.
In 2018, Leeder decided to open Preston Gallery giving her and other Canadian artists a place to display their work.
Leeder currently works as a photographer for the Hockey Hall of Fame.
ARTIST’S STATEMENT
One Millionth in the Sense of Yesterday is an ongoing series. This series is a glimpse into my state of mind as I move through and photograph the city. These works are about how although people may live and “see” the city daily, it is not a view they take in - the people become like ghosts in daily life, existing without reflection. Each photo is inspired by the music I listen to as I shoot and edit - lyrics often becoming the title of the work, both giving a glimpse into my state of mind and fitting to the goings on around. These images beg the question: Is it the city that is soulless? Or is it the people who live within its borders?
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