{"product_id":"woman-with-a-red-hat","title":"Woman with a Red Hat","description":"\u003cp\u003e\u003cspan\u003eAcrylic on canvas.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e36x48x4\"\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eI’ve decided to paint her in a landscape rather than portrait orientation, to show the panorama of “contemporary alienation”. It’s not a painting of a figure, it’s rather a vast landscape of “alienation”. After I was painting it, it reminded me of a beautiful film I watched when I was a child that stuck in my mind forever. The film was created like a painting. I never forget that intense red. The name of the film is “Red Dessert” by Michealangelo Antonioni.\r\u003cbr\u003eHere is about “Red Desert”:\r\u003cbr\u003eMichelangelo Antonioni’s 1960s panoramas of contemporary alienation were decade-defining artistic events, and \"Red Desert\", his first color film, is perhaps his most epochal. This provocative look at the spiritual desolation of the technological age—about a disaffected woman, brilliantly portrayed by Antonioni ‘s muse Monica Vitti, wandering through a bleak industrial landscape beset by power plants and environmental toxins, and tentatively flirting with her husband’s coworker, played by Richard Harris—continues to keep viewers spellbound. With one startling, painterly composition after another—of abandoned fishing cottages, electrical towers, looming docked ships—\"Red Desert” creates a nearly apocalyptic image of its time, and confirms Antonioni as cinema’s preeminent poet of the modern age.\u003cbr\u003e\u003c\/p\u003e","brand":"Gabriel Ceslov","offers":[{"title":"Default Title","offer_id":43869218635879,"sku":null,"price":1720.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/3038\/4487\/files\/1_1780696200_69488.jpg?v=1781183929","url":"https:\/\/helloart.com\/products\/woman-with-a-red-hat","provider":"helloart","version":"1.0","type":"link"}