Jarrett Camp
Jarrett Camp
Award-winning Los Angeles artist Jarrett Camp was born in Warren, Ohio, and grew up mostly in West Covina, California where he became fascinated with skateboard culture. He finds inspiration in the way the people of LA express their passion, whether it’s through skateboarding, fine art, or graffiti.
Dyslexia affects the left side of the brain impairing the ability to sort out language in the correct sequence, which in turn makes processing the alphabet extremely difficult. While this is a challenge, Camp has leveraged the inherent benefits of dyslexia — an aptitude for two-dimensional representation as well as three-dimensional design. For instance, when frustrated with his inability to get a piece of perspective perfectly, he’s been known to carve the problematic image out of an eraser at hand to use as a model from which to draw.
His work ranges in size from 18”x24” to upwards of 60” x 80”. Using 1.1, 1.3, and 1.5-micron pens at 500-1000 dots per square inch on archival giclée paper. His work can take up to eight months to complete.
ARTIST’S STATEMENT
When I was 15 months of age my dad put me on his lap and started drawing in front of me, and I was so fascinated by this that I took the pencil out of his hands and started drawing every sense. Now my goal as an artist is to put myself in some shoes to create an escapism world to which I can relate too as well as many others.
My artistic journey unfolds through a four-level process, each stage integral to the creation of my work. The first level involves a thorough investigation of the chosen topic, immersing myself in the culture, and using my imagination in the social, and emotional nuances that surround it. This phase allows me to gather a rich tapestry of insights and perspectives, forming the foundation for my art.
The second level is a transition from conscious study to an unconscious exploration. Here, I enter a meditative state, allowing my mind to drift and discover new dimensions of the subject. This process of meditation is where the essence of the topic begins to crystallize, and the initial conceptual framework of the piece is formed.
In the third level, I construct the envisioned artwork in my mind, a mental blueprint that guides the physical creation. This mental construction is deliberate and intuitive, balancing the structured analysis of the topic with the spontaneous emergence of ideas.
The fourth and most extraordinary aspect of my method is the role of my subconscious, influenced by my dyslexia. As I begin to meticulously build the stipple piece on paper, my subconscious mind takes over, creating multiple images simultaneously. This phenomenon results in the creation of two to four pieces at once, each interconnected yet distinct, reflecting the multifaceted nature of the original topic.
This unique approach amplifies my work's depth and complexity and embodies the intricate interplay between conscious intention and unconscious creativity. My art becomes a visual dialogue between structured thought and spontaneous expression, capturing the essence of the subject in a way that is both intricate and expansive.
Through my stipple and pointillism pieces, I aim to offer viewers a profound and layered experience, inviting them to explore the many facets of the topics that shape our shared human experience. My work is a testament to the power of art to reveal hidden connections, challenge perceptions, and evoke a deeper understanding of the world around us.
Jarrett Camp
Award-winning Los Angeles artist Jarrett Camp was born in Warren, Ohio, and grew up mostly in West Covina, California where he became fascinated with skateboard culture. He finds inspiration in the way the people of LA express their passion, whether it’s through skateboarding, fine art, or graffiti.
Dyslexia affects the left side of the brain impairing the ability to sort out language in the correct sequence, which in turn makes processing the alphabet extremely difficult. While this is a challenge, Camp has leveraged the inherent benefits of dyslexia — an aptitude for two-dimensional representation as well as three-dimensional design. For instance, when frustrated with his inability to get a piece of perspective perfectly, he’s been known to carve the problematic image out of an eraser at hand to use as a model from which to draw.
His work ranges in size from 18”x24” to upwards of 60” x 80”. Using 1.1, 1.3, and 1.5-micron pens at 500-1000 dots per square inch on archival giclée paper. His work can take up to eight months to complete.
ARTIST’S STATEMENT
When I was 15 months of age my dad put me on his lap and started drawing in front of me, and I was so fascinated by this that I took the pencil out of his hands and started drawing every sense. Now my goal as an artist is to put myself in some shoes to create an escapism world to which I can relate too as well as many others.
My artistic journey unfolds through a four-level process, each stage integral to the creation of my work. The first level involves a thorough investigation of the chosen topic, immersing myself in the culture, and using my imagination in the social, and emotional nuances that surround it. This phase allows me to gather a rich tapestry of insights and perspectives, forming the foundation for my art.
The second level is a transition from conscious study to an unconscious exploration. Here, I enter a meditative state, allowing my mind to drift and discover new dimensions of the subject. This process of meditation is where the essence of the topic begins to crystallize, and the initial conceptual framework of the piece is formed.
In the third level, I construct the envisioned artwork in my mind, a mental blueprint that guides the physical creation. This mental construction is deliberate and intuitive, balancing the structured analysis of the topic with the spontaneous emergence of ideas.
The fourth and most extraordinary aspect of my method is the role of my subconscious, influenced by my dyslexia. As I begin to meticulously build the stipple piece on paper, my subconscious mind takes over, creating multiple images simultaneously. This phenomenon results in the creation of two to four pieces at once, each interconnected yet distinct, reflecting the multifaceted nature of the original topic.
This unique approach amplifies my work's depth and complexity and embodies the intricate interplay between conscious intention and unconscious creativity. My art becomes a visual dialogue between structured thought and spontaneous expression, capturing the essence of the subject in a way that is both intricate and expansive.
Through my stipple and pointillism pieces, I aim to offer viewers a profound and layered experience, inviting them to explore the many facets of the topics that shape our shared human experience. My work is a testament to the power of art to reveal hidden connections, challenge perceptions, and evoke a deeper understanding of the world around us.
$710.00
Gold foiled, digital print on paper.
19x26x1"
Limited edition 1 of 1.
Lady of the Stars is a celestial tribute to the strength and grace of culture, channeling the vast energy of the universe into a dignified portrayal of cultural heritage. The figure of Lady of the Stars is adorned with radiant elements that resemble constellations, each symbolizing ancestral wisdom and resilience. Her presence is both ethereal and grounded, bridging the cosmic with the earthly in a celebration of cultural power. Through her gaze and regal posture, she emanates an undeniable strength that reflects the enduring beauty and pride of her heritage. This piece reminds us that culture, like the stars, is timeless and expansive—unwavering even in the vastness of the universe.
$1,000.00
Ink and color pencil on paper.
5x20x1"
(1,2)THE FLOWER BIRD: The multidimensional pieces are designed to be appreciated and re-interpreted by displaying them in different positions. Each continually provides a new fresh perception because when their position or angle is adjusted our focus is altered. Whether placed together in one large piece, side by side, horizontally or vertically, in a stair-step design, and so on. Also, the negative space has become a sort of white castle for the flower birds.
$7,150.00
Color pencil and ink on paper.
15x39"
Lost lives.
This vertical art piece is a lost city that was destroyed by a spaceship located on the top of the piece. It is the lost city of Sarracenia. The city is an Art Decco beautiful city. It was located in a low sea level area. This city is a major city in the Jarrett camp universe. This is the first installment of the series that will be seen in Jarrett’s portfolio.
$710.00
Gold foiled, digital print on paper.
19x26x1"
Limited edition 1 of 1.
Lost lives.
This vertical art piece is a lost city that was destroyed by a spaceship located on the top of the piece. It is the lost city of Sarracenia. The city is an Art Decco beautiful city. It was located in a low sea level area. This city is a major city in the Jarrett camp universe. This is the first installment of the series that will be seen in Jarrett’s portfolio.
$1,000.00
Ink and color pencil on paper.
5x20x1"
(1,2)THE FLOWER BIRD: The multidimensional pieces are designed to be appreciated and re-interpreted by displaying them in different positions. Each continually provides a new fresh perception because when their position or angle is adjusted our focus is altered. Whether placed together in one large piece, side by side, horizontally or vertically, in a stair-step design, and so on. Also, the negative space has become a sort of white castle for the flower birds.
$710.00
Digital print on paper canvas.
18x26x0.10"
Limited edition 1 of 25.
An abstract about a series called the conform.
$5,705.00
Ink and color pencil on paper.
17x11x1"
THE BUTTERFLY UNDERWATER: This piece depicts wandering marine butterflies who have strayed from migration ending up at a place I call Rose Rock. Not only can we as humans travel to fantastical places in our mind but we can also bring such made-up creatures along with us. Camp here teases the viewer sharing just a portion of this complete artwork. This revealed section, is only one part of a larger three-panel composition.
$5,705.00
Ink and color pencil on paper.
17x11x1"
THE BUTTERFLY UNDERWATER: This piece depicts wandering marine butterflies who have strayed from migration ending up at a place I call Rose Rock. Not only can we as humans travel to fantastical places in our mind but we can also bring such made-up creatures along with us. Camp here teases the viewer sharing just a portion of this complete artwork. This revealed section, is only one part of a larger three-panel composition.
$5,705.00
Ink and color pencil on paper.
17x11x1"
THE BUTTERFLY UNDERWATER: This piece depicts wandering marine butterflies who have strayed from migration ending up at a place I call Rose Rock. Not only can we as humans travel to fantastical places in our mind but we can also bring such made-up creatures along with us. Camp here teases the viewer sharing just a portion of this complete artwork. This revealed section, is only one part of a larger three-panel composition.
$5,705.00
Ink and color pencil on paper.
17x11x1"
THE BUTTERFLY UNDERWATER: This piece depicts wandering marine butterflies who have strayed from migration ending up at a place I call Rose Rock. Not only can we as humans travel to fantastical places in our mind but we can also bring such made-up creatures along with us. Camp here teases the viewer sharing just a portion of this complete artwork. This revealed section, is only one part of a larger three-panel composition.