Maggie Romanovici
Maggie Romanovici was born in Romania, during the Communist dictatorship. In a closed society, there was an attraction to the arts and culture in general, as the only escape in life. Maggie showed a natural inclination towards drawing and colored pencils early on. In elementary school, teachers noticed that Maggie was very talented at drawing. Her father, also having had a penchant for painting, exerted an important influence on the artistic development of his daughter.
Maggie began to attend art school. Here, for six years, she formally learned drawing, watercolor, oil painting, and whatever else the school curriculum contained. Then she continued to hone her skills in private lessons with consecrated local painters. Her first participation in an exhibition was at age 12, with an oil painting. Others followed.
Because the Communist regime in her native Romania did not favor an artistic career, Maggie chose to teach languages. The contact with art never left her, but it was just later in her life and in Canada that Maggie returned to painting full time.
The first years are dedicated to figurative painting, but gradually Maggie discovers the freedom of expression offered by abstract painting. She has continued to take art classes on new techniques and materials to enrich and polish her way of expressing herself. Her curiosity and desire to progress remain constant.
Maggie is a member of several artists associations and is a professional member of RAAV . To date, Maggie has participated in more than 80 exhibitions and her paintings are found in Canada and Europe. She lives in Montreal.
ARTIST’S STATEMENT
I draw my inspiration from my many life experiences lived in different countries, trips to several others, moments in everyday life, culture and nature.
I am comfortable with oil and acrylic, but I like to dip into watercolor or ink and alcohol. I also favor the mixed media by the introduction of collages, the mixing of mediums, modelling paste, gold, silver, fabrics, etc. I favor the superposition of the color strokes with the spatula, but I also love smooth glazing effects. I produce abstract works in which the ideas, the emotions are seized by the colors and by the movements. The resulting paintings are distinguished by bright, vibrant colors, surprising textures, fluid and dynamic movements, which give a real feast to the eyes and nourish the spirit. The brushstrokes or spatula always give direction and fluidity to the creation, easy to follow by the eye.
For me, painting is very personal. By immersing myself in it, I become increasingly free and self-revealing. The resulting painting is nothing but an exchange between my inner world and the outer one.
Painting is also a journey that begins with feeling, then thought. Shape and color follow with the harmony between texture and gesture, with the subtle balance between light and shadow. I try to make the ordinary extraordinary and I use all the means to reach my goal: I brush, I drip, I sand, I scrape, so that my works present texture, depth, a weaving of colors that give them a unique signature.
As an artist, I honestly hope my artwork calls for the participation of the audience to the same extent as my involvement in it.
Maggie Romanovici was born in Romania, during the Communist dictatorship. In a closed society, there was an attraction to the arts and culture in general, as the only escape in life. Maggie showed a natural inclination towards drawing and colored pencils early on. In elementary school, teachers noticed that Maggie was very talented at drawing. Her father, also having had a penchant for painting, exerted an important influence on the artistic development of his daughter.
Maggie began to attend art school. Here, for six years, she formally learned drawing, watercolor, oil painting, and whatever else the school curriculum contained. Then she continued to hone her skills in private lessons with consecrated local painters. Her first participation in an exhibition was at age 12, with an oil painting. Others followed.
Because the Communist regime in her native Romania did not favor an artistic career, Maggie chose to teach languages. The contact with art never left her, but it was just later in her life and in Canada that Maggie returned to painting full time.
The first years are dedicated to figurative painting, but gradually Maggie discovers the freedom of expression offered by abstract painting. She has continued to take art classes on new techniques and materials to enrich and polish her way of expressing herself. Her curiosity and desire to progress remain constant.
Maggie is a member of several artists associations and is a professional member of RAAV . To date, Maggie has participated in more than 80 exhibitions and her paintings are found in Canada and Europe. She lives in Montreal.
ARTIST’S STATEMENT
I draw my inspiration from my many life experiences lived in different countries, trips to several others, moments in everyday life, culture and nature.
I am comfortable with oil and acrylic, but I like to dip into watercolor or ink and alcohol. I also favor the mixed media by the introduction of collages, the mixing of mediums, modelling paste, gold, silver, fabrics, etc. I favor the superposition of the color strokes with the spatula, but I also love smooth glazing effects. I produce abstract works in which the ideas, the emotions are seized by the colors and by the movements. The resulting paintings are distinguished by bright, vibrant colors, surprising textures, fluid and dynamic movements, which give a real feast to the eyes and nourish the spirit. The brushstrokes or spatula always give direction and fluidity to the creation, easy to follow by the eye.
For me, painting is very personal. By immersing myself in it, I become increasingly free and self-revealing. The resulting painting is nothing but an exchange between my inner world and the outer one.
Painting is also a journey that begins with feeling, then thought. Shape and color follow with the harmony between texture and gesture, with the subtle balance between light and shadow. I try to make the ordinary extraordinary and I use all the means to reach my goal: I brush, I drip, I sand, I scrape, so that my works present texture, depth, a weaving of colors that give them a unique signature.
As an artist, I honestly hope my artwork calls for the participation of the audience to the same extent as my involvement in it.
$200.00
Oil on wood.
12x12x1.50"
This textured monochromatic painting in red conveys a sense of intensity, passion, and strength. Here's an in-depth analysis of this artwork:
The painting uses various shades of red, from deep crimson to lighter tones, giving it depth and dynamism. Red is a color strongly associated with energy, passion, and power.
Darker strokes and shadows emphasize the texture and create contrast, enhancing the three-dimensional view of the piece.
The raised, textured patterns are prominent, likely created using thick applications of oil paint with palette knives or similar tools. The texture makes the piece feel alive and physically present.
The grooves and patterns resemble leaves, flames, or vines. These natural, flowing shapes contrast with the boldness of the color, softening the overall impact while retaining energy.
The curved, almost swirling patterns suggest a sense of movement, like leaves caught in the wind or flames rising upward.
The patterns are evenly distributed across the canvas, creating a harmonious visual flow without a clear focal point, allowing the viewer’s eye to explore the entire surface.
Red is universally associated with intense emotions—love, anger, or even danger. The textured patterns channel this intensity into a more nuanced representation, blending raw emotion with the organic forms of nature.
The patterns evoke imagery of fire or molten lava, symbols of transformation, destruction, and renewal.
The leaf-like shapes tie the energy of red to the natural world, suggesting themes of vitality, strength, and life force.
The strong red tones immediately grab attention, evoking feelings of excitement or determination.
Despite its intensity, the organic patterns provide a grounding influence, balancing the emotional weight with a sense of stability.
This painting is a striking representation of red’s emotional and symbolic depth. The textured surface, combined with the bold monochromatic palette, creates a sense of vitality and movement. It invites the viewer to reflect on the raw power and energy inherent in both human emotions and the natural world.
$200.00
Oil on wood.
12x12x1.50"
This piece is a textured monochromatic painting in vibrant orange, evoking warmth, energy, and vitality.
The use of a single color, orange, in varying shades creates a sense of unity while maintaining visual interest. Orange is often associated with warmth, enthusiasm, and creativity, making the painting feel vibrant and alive.
The shifts between lighter and darker shades of orange add depth and dimension to the piece, preventing it from feeling flat.
The painting heavily relies on texture, created using palette knives. The raised, rough surfaces create a tactile quality, encouraging the viewer to visually engage with its materialism.
The textured grooves and lines resemble natural forms, such as leaves, feathers, or waves. These organic shapes enhance the dynamic quality of the work, adding movement and flow.
The flow of the patterns seems to originate from or lead toward the center, drawing the viewer's eye to the heart of the painting. The lines curve and spiral outward, creating a sense of expansion.
While not strictly symmetrical, the composition feels balanced, with the textured shapes distributed evenly across the canvas.
Orange is a color often associated with energy and enthusiasm. The painting might evoke feelings of joy, creativity, or even the warmth of sunlight.
The organic textures and patterns suggest a connection to natural elements, such as foliage, flames, or even the rippling patterns of sand dunes in sunlight.
The lack of clear representational imagery allows for open interpretation. Viewers may see forms like plants, sunbursts, or waves, depending on their perspective and imagination.
The bright orange tones exude positivity and dynamism, stimulating the senses.
The painting has a cozy and comforting quality, reminiscent of warmth and light.
The textured patterns create a sense of movement without overwhelming the viewer, making the painting feel harmonious despite its intensity.
This piece focuses on the power of a single color.
This painting feels like a celebration of warmth and vitality. Its textured forms and vibrant color invite viewers to experience the energy and creativity it radiates. It could be interpreted as a tribute to the dynamic beauty of natural elements, captured in an abstract and emotionally resonant way.
$400.00
Oil on canvas.
14x26x1"
This original abstract is part of a series of variations on the theme of yellow. Signed, varnished, framed, and equipped with the necessary hardware, it is accompanied by a certificate of authenticity.
$1,100.00
Oil on gallery canvas.
24x36x1.50"
Inspired by the many rivers and islands from Quebec, this painting reflects summer in the province's waters, which mirrors the nature around. Soft blues suggest the delicate nature whose story is carried away by my river. The much stronger yellow is the summer affirmation, the solar power, the energy of the secret and untold stories encrypted in the memory of the river. I used a lot of texture to give depth to the painting which is done mostly with a spatula. The subject is treated in an abstract way. The yellow is engulfed into the blue of the water, and can be seen as an imaginary memory that takes the shape of an island, a simple but strong reflection of the summer sun, a feeling of plenitude, or many other possible interpretations. The painting is carefully varnished, equipped with the necessary hardware to be hanged, and accompanied by a Certificate of Authenticity.
$125.00
Acrylic on gallery canvas.
8x12x1.50"
Abstract painting that shows a lot of movement is part of a series of four on the same theme. Varnished and equipped with the necessary hardware, it is accompanied by a certificate of authenticity.
$125.00
Acrylic on gallery canvas.
8x12x1.50"
Abstract painting that shows a lot of movement is part of a series of four on the same theme. Varnished and equipped with the necessary hardware, it is accompanied by a certificate of authenticity.
$400.00
Acrylic on gallery canvas.
16x20x1.50"
Abstract painting that shows a lot of movement is part of a series of four on the same theme. Varnished and equipped with the necessary hardware, it is accompanied by a certificate of authenticity.
$1,100.00
Acrylic on gallery canvas.
24x36x1.50"
Abstract painting that shows a lot of movement is part of a series of four on the same theme, this one being the largest. Varnished and equipped with the necessary hardware, it is accompanied by a certificate of authenticity.
$1,100.00
Oil, texture on gallery canvas.
24x36x1.50"
Inspired by the many rivers from Quebec, this one reflects summer in its waters, mirroring the nature around. Soft blue and pink suggest the delicate nature whose story is carried away by my river. I used a lot of texture to give depth to the painting which is done mostly with a spatula. The subject is treated in an abstract way, the flowers are engulfed into the blue of the water.
$1,500.00
Acrylic on gallery canvas.
30x40x1.50"
This painting belongs to a series that exults the love for life. This joy of living is translated by the mixture of colors and by the movement realized by superposed layers. I used the spatula to render the millions of happy moments that make up an entire life. Ready to be hung on your wall, the painting is carefully varnished against dust and UV rays, and accompanied by a Certificate of Authenticity.
$575.00
Oil, silver leaf on gallery canvas.
15x30x1.50"
I am a lover of water and here, in Quebec province, we have plenty. Montreal, where I live, is an island. My wave is rebellious and wants to make a statement in the middle of the blue immensity. I used a lot of texture to give depth to the painting which is done mostly with a spatula. The subject is treated in an abstract way, the wave has glimpses of silver realized by silver leaves. The painting is carefully varnished, equipped with the necessary hardware to be hanged, and accompanied by a Certificate of Authenticity.