Maggie Romanovici
Maggie Romanovici was born in Romania, during the Communist dictatorship. In a closed society, there was an attraction to the arts and culture in general, as the only escape in life. Maggie showed a natural inclination towards drawing and colored pencils early on. In elementary school, teachers noticed that Maggie was very talented at drawing. Her father, also having had a penchant for painting, exerted an important influence on the artistic development of his daughter.
Maggie began to attend art school. Here, for six years, she formally learned drawing, watercolor, oil painting, and whatever else the school curriculum contained. Then she continued to hone her skills in private lessons with consecrated local painters. Her first participation in an exhibition was at age 12, with an oil painting. Others followed.
Because the Communist regime in her native Romania did not favor an artistic career, Maggie chose to teach languages. The contact with art never left her, but it was just later in her life and in Canada that Maggie returned to painting full time.
The first years are dedicated to figurative painting, but gradually Maggie discovers the freedom of expression offered by abstract painting. She has continued to take art classes on new techniques and materials to enrich and polish her way of expressing herself. Her curiosity and desire to progress remain constant.
Maggie is a member of several artists associations and is a professional member of RAAV . To date, Maggie has participated in more than 80 exhibitions and her paintings are found in Canada and Europe. She lives in Montreal.
ARTIST’S STATEMENT
I draw my inspiration from my many life experiences lived in different countries, trips to several others, moments in everyday life, culture and nature.
I am comfortable with oil and acrylic, but I like to dip into watercolor or ink and alcohol. I also favor the mixed media by the introduction of collages, the mixing of mediums, modelling paste, gold, silver, fabrics, etc. I favor the superposition of the color strokes with the spatula, but I also love smooth glazing effects. I produce abstract works in which the ideas, the emotions are seized by the colors and by the movements. The resulting paintings are distinguished by bright, vibrant colors, surprising textures, fluid and dynamic movements, which give a real feast to the eyes and nourish the spirit. The brushstrokes or spatula always give direction and fluidity to the creation, easy to follow by the eye.
For me, painting is very personal. By immersing myself in it, I become increasingly free and self-revealing. The resulting painting is nothing but an exchange between my inner world and the outer one.
Painting is also a journey that begins with feeling, then thought. Shape and color follow with the harmony between texture and gesture, with the subtle balance between light and shadow. I try to make the ordinary extraordinary and I use all the means to reach my goal: I brush, I drip, I sand, I scrape, so that my works present texture, depth, a weaving of colors that give them a unique signature.
As an artist, I honestly hope my artwork calls for the participation of the audience to the same extent as my involvement in it.
Maggie Romanovici was born in Romania, during the Communist dictatorship. In a closed society, there was an attraction to the arts and culture in general, as the only escape in life. Maggie showed a natural inclination towards drawing and colored pencils early on. In elementary school, teachers noticed that Maggie was very talented at drawing. Her father, also having had a penchant for painting, exerted an important influence on the artistic development of his daughter.
Maggie began to attend art school. Here, for six years, she formally learned drawing, watercolor, oil painting, and whatever else the school curriculum contained. Then she continued to hone her skills in private lessons with consecrated local painters. Her first participation in an exhibition was at age 12, with an oil painting. Others followed.
Because the Communist regime in her native Romania did not favor an artistic career, Maggie chose to teach languages. The contact with art never left her, but it was just later in her life and in Canada that Maggie returned to painting full time.
The first years are dedicated to figurative painting, but gradually Maggie discovers the freedom of expression offered by abstract painting. She has continued to take art classes on new techniques and materials to enrich and polish her way of expressing herself. Her curiosity and desire to progress remain constant.
Maggie is a member of several artists associations and is a professional member of RAAV . To date, Maggie has participated in more than 80 exhibitions and her paintings are found in Canada and Europe. She lives in Montreal.
ARTIST’S STATEMENT
I draw my inspiration from my many life experiences lived in different countries, trips to several others, moments in everyday life, culture and nature.
I am comfortable with oil and acrylic, but I like to dip into watercolor or ink and alcohol. I also favor the mixed media by the introduction of collages, the mixing of mediums, modelling paste, gold, silver, fabrics, etc. I favor the superposition of the color strokes with the spatula, but I also love smooth glazing effects. I produce abstract works in which the ideas, the emotions are seized by the colors and by the movements. The resulting paintings are distinguished by bright, vibrant colors, surprising textures, fluid and dynamic movements, which give a real feast to the eyes and nourish the spirit. The brushstrokes or spatula always give direction and fluidity to the creation, easy to follow by the eye.
For me, painting is very personal. By immersing myself in it, I become increasingly free and self-revealing. The resulting painting is nothing but an exchange between my inner world and the outer one.
Painting is also a journey that begins with feeling, then thought. Shape and color follow with the harmony between texture and gesture, with the subtle balance between light and shadow. I try to make the ordinary extraordinary and I use all the means to reach my goal: I brush, I drip, I sand, I scrape, so that my works present texture, depth, a weaving of colors that give them a unique signature.
As an artist, I honestly hope my artwork calls for the participation of the audience to the same extent as my involvement in it.
$575.00
Oil, gold leaf on gallery canvas.
15x30x1.50"
This painting is part of a series of artworks that show rivers and their heavy impact on us. This one is the sensation I got on a bright summer day while walking on a riverside. It was as if the sun had plunged into the waters and turned the river into a floating mass of gold. For me, the sun and the river had become one. Gold leaf, texture, glossy surface add to the appeal of this painting. Carefully varnished, ready to hang, it comes with a certificate of authenticity.
$1,100.00
Acrylic on gallery canvas.
24x36x1.50"
This painting is the first of a series of artworks inspired by a trip to the Canadian Rocky Mountains. The rich texture can be quite intriguing, but it brings a touch of earthy feeling. The blue flows through narrow creeks and rugged rocks determined to liberate itself in order to take you to total freedom from the eventual bothering obstacles in your life.
$1,500.00
Oil on gallery canvas.
40x30x1.50"
The painting transmits the autumn atmosphere through the choice of colors and through the smoky air overwhelming an imaginary landscape. I used the technique of glazing which brings about a lot of softness and delicacy. It is a glamorous and modern painting. It comes with the necessary hardware to be hung, carefully varnished, and with a Certificate of Authenticity
$180.00
Oil on gallery canvas.
12x12x1.50"
This original abstract is part of a series of variations on the theme of yellow. Signed, varnished, and equipped with the necessary hardware, it is accompanied by a certificate of authenticity.
$200.00
Oil on gallery canvas.
11x14x1.50"
This original abstract is part of a series of variations on the theme of yellow. Signed, varnished, and equipped with the necessary hardware, it is accompanied by a certificate of authenticity.
$180.00
Acrylic on gallery canvas.
12x12x1.50"
This small abstract painting translates my enthusiasm and joie de vivre. It is meant to com together with ABSTRACT IN RED 1.
$180.00
Acrylic on gallery canvas.
12x12x1.50"
This small abstract shows my exuberance and joie de vivre. It is supposed to come in a dyptich with ABSTRACT IN RED 2.
$1,500.00
Acrylic on gallery canvas.
30x40x1.50"
Introducing "Joy," a vibrant and dynamic painting that captures the essence of exuberance and vitality. This abstract masterpiece, created in 2020, is a riot of color and texture, drawing the viewer into its energetic composition. The painting features a bold palette dominated by warm yellows, fiery oranges, and deep reds, interspersed with striking blues and blacks. The artist employs a technique of layered, impasto brushstrokes, creating a rich, textured surface that adds depth and movement to the piece. The juxtaposition of colors and textures evokes a sense of spontaneity and joy, making it a visually stimulating experience. "Joy" is more than just a visual feast; it is an emotional journey. The interplay of light and shadow, along with the harmonious blend of hues, invites the viewer to explore the painting's depths, discovering new details with every glance. The abstract nature of the work allows for personal interpretation, making it a unique addition to any art collection. Perfect for modern interiors, this painting serves as a striking focal point, infusing any space with its lively and uplifting spirit. Bring home "Joy" and let its vibrant energy inspire and enliven your environment, reminding you of the beauty and excitement that life holds. It comes varnished, with the necessary hardware to hang, and accompanied by a Certificate of Authenticity.
$480.00
Acrylic and small twigs on gallery canvas.
20x16x1.50"
This painting is an abstract, impressionistic depiction of a natural scene, possibly a landscape. It consists of bold, expressive brushstrokes that blend into each other, creating an overall sense of movement and texture. The central area is the focal point, with brighter, more saturated yellows and reds, framed by darker, more muted tones on the outer edges. Vibrant shades of yellow and deep crimson dominate the central area, evoking the warmth of autumn foliage. The energetic blending of these colors gives the painting a fiery, dynamic quality. In contrast, there are cool tones in the upper areas, with patches of blue, gray, and white, creating a sense of sky or distant clouds. The contrast between warm and cool tones adds depth to the image, with the cooler areas pulling the eye upwards. The thick, textural application of paint,through impasto, gives the piece a tangible, three-dimensional quality. The layers are almost scraped and pulled across the canvas in some areas, while in others, the brushstrokes appear looser and more fluid. This layering creates a sense of complexity, making the viewer want to explore the depths of the painting further.
$480.00
Acrylic and small twigs on gallery canvas.
20x16x1.50"
This painting showcases an abstract landscape, filled with swirling, dynamic forms and colors that suggest the energy of nature. It draws the eye toward the center with sweeping curves of light colors that seem to spiral upwards, representing a cloudy sky. The left and right sides feature dark, vertical shapes resembling tree trunks or foliage, framing the lighter, more open middle portion of the image. The central area is dominated by whites, light grays, and soft blues, suggesting a sky or swirling wind. These bright tones create a stark contrast with the darker edges, pulling the viewer into the core of the composition. There are fiery bursts of red, yellow, and orange that represent autumn leaves or vibrant natural elements. These warmer tones are scattered throughout the painting, mainly along the lower half, balancing the cooler, airy colors above. Along the sides, darker browns, blacks, and greens create a sense of dense, natural elements like trees, brush, or undergrowth. These colors help ground the painting and evoke a forest or wooded environment. The brushwork is expressive and textured, with thick layers of paint applied in some areas, giving the work a tactile quality. The sweeping motions in the center provide a sense of movement, almost as if wind or a force of nature is stirring the leaves or clouds. In contrast, the rough, jagged lines of the tree forms on either side add structure to the composition, anchoring the more fluid, central area. While abstract in style, the painting evokes a landscape scene, a forest in autumn.
$200.00
Oil on gallery canvas.
12x12x1.50"
This abstract composition exudes a vibrant blend of textures and colors, invoking a sense of geological depth and organic complexity. The piece is dominated by a mix of purples, reds, blues, and whites, which merge and layer in an intricate play of color and texture, resembling the rugged surface of the earth or a cosmic nebula. The textured paint application gives it a tactile, almost three-dimensional feel, enhancing the raw, organic impression that suggests natural phenomena like eroded rocks, weather patterns, or the movements within the earth’s crust. The bold strokes of white and areas of darker, muted tones add contrast and movement, drawing the viewer's eye across the canvas. The title, Earth’s Wrinkles, aptly reflects the feeling of aged, weathered landscapes and the natural beauty found in the earth’s imperfections. This piece is visually striking and thought-provoking, encouraging viewers to explore their own interpretations of nature’s timeless and transformative power.
$480.00
Acrylic on gallery canvas.
16x20x1.50"
The painting presents an energetic composition that captures the essence of the season. The use of earthy tones - rich yellows, deep reds, and burnt oranges - immediately evokes the warms and vibrancy associated with autumn. These warm colors are contrasted with the cooler, more neutral shades of black, white, and gray, adding depth and dimension to the piece. The composition is dynamic, with strong, sweeping lines that guide the viewer's eye across the canvas, creating a sense of movement and fluidity.