Rea Kelly

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Showing and selling since 2000, Rea's works have been available through these many juried art shows since 2000:
Riverdale Art Walk, Cabbagetown Arts & Craft, Toronto Outdoor Art Fair (2017, 2019), The New Art Festival (Ottawa), recently renamed Art in the Park (2024), Oakville Art in the Park, Queen West Art Crawl, and through various private events and sales.

ARTIST’S STATEMENT

Since I could grasp a crayon I’ve been fascinated by nature and flowers in particular. I paint because I need to share my joy with you. My hope is to evoke the same sense of wonder and excitement within you that I experience.
My delight with the colours, textures and lines that nature provides is endless;
I admire nature’s tenacity, as when a pine tree grows sideways out of a rock face, or a hollyhock grows from a crack in the schoolyard’s asphalt.
I love early morning light, stark shadows, strong lines, vivid contrasts, and late afternoon sun. I typically paint from my own photography. At times, I realise the painting in progress has a vibe and a mind of its own, so I allow those insights to guide my hand.
Experimentation is at the core of my practice. This is because there are just so many ways to express the moods I capture.
My works exist in oil, acrylic, collage, watercolour, encaustic and most
recently alcohol inks. Though the mediums may shift, the focus is always nature.

We know that being in nature heals us. I hope that my works, rooted in nature, deliver peace, joy and inspiration to your space.

$2,150.00

Oil, cold wax and oil pastel on panel.

30x48x1.50"

This is an exuberant illustration of tall poppies against a black background, with the flowers delivered in cold colours like deep pink, light pink, white, with pale teal/turquoise leaves. Abstract elements via gold oil pastel further the graphic nature of this painting.

The paint and cold wax were applied with a butter knife. Not kidding; it was the best tool for the job. You can, once you know this, see the way the rounded edge of the knife carved down through the paint to the underlying colour, while at the sides of each stroke, the paint is thicker. I like this technique. It provides texture and interest.

Rea Kelly