Vanessa Dion Fletcher
Vanessa Dion Fletcher is a Lenape and Potawatomi neurodiverse Artist; her family is from Eelūnaapèewii Lahkèewiitt (displaced from Lenapehoking) and European settlers. She uses porcupine quills, Wampum belts, and menstrual blood to reveal the complexities of what defines a body physically and culturally. Reflecting on an Indigenous and gendered body with a neurodiverse mind, Dion Fletcher primarily works in performance, textiles and video.
She graduated from The School of the Art Institute of Chicago in 2016 with an MFA in performance and a Bachelor of Fine Arts from York University in 2009. She has exhibited across Canada and the USA at Art Mur Montreal, Eastern Edge Gallery Newfoundland, The Queer Arts Festival Vancouver and the Satellite Art Show in Miami. Her work is in the Indigenous Art Centre, Joan Flasch Artist Book Collection, Vtape, Seneca College, Global Affairs Canada and the Archives of American Art.
ARTIST’S STATEMENT
I employ porcupine quills, Wampum belts, and menstrual blood to reveal the complexities of what defines a body physically and culturally. Reflecting on an indigenous feminist body with a neurodiverse mind, I create art using composite media, primarily working in performance, textiles and video.
I look for knowledge embedded in materials and techniques. Embodiment and visual art allow a reprieve from the colonialism and ableism of English. My interest in communication comes from my lack of access to my indigenous languages (Potawatomi and Lenape) and as a person living with a learning disability caused by issues with short-term memory. This perspective of language and communication is fractured and politicized. Honouring that my body and mind are not separate, I address the socio-political representations and implications of menstruation, reproduction and the biological body.
Vanessa Dion Fletcher is a Lenape and Potawatomi neurodiverse Artist; her family is from Eelūnaapèewii Lahkèewiitt (displaced from Lenapehoking) and European settlers. She uses porcupine quills, Wampum belts, and menstrual blood to reveal the complexities of what defines a body physically and culturally. Reflecting on an Indigenous and gendered body with a neurodiverse mind, Dion Fletcher primarily works in performance, textiles and video.
She graduated from The School of the Art Institute of Chicago in 2016 with an MFA in performance and a Bachelor of Fine Arts from York University in 2009. She has exhibited across Canada and the USA at Art Mur Montreal, Eastern Edge Gallery Newfoundland, The Queer Arts Festival Vancouver and the Satellite Art Show in Miami. Her work is in the Indigenous Art Centre, Joan Flasch Artist Book Collection, Vtape, Seneca College, Global Affairs Canada and the Archives of American Art.
ARTIST’S STATEMENT
I employ porcupine quills, Wampum belts, and menstrual blood to reveal the complexities of what defines a body physically and culturally. Reflecting on an indigenous feminist body with a neurodiverse mind, I create art using composite media, primarily working in performance, textiles and video.
I look for knowledge embedded in materials and techniques. Embodiment and visual art allow a reprieve from the colonialism and ableism of English. My interest in communication comes from my lack of access to my indigenous languages (Potawatomi and Lenape) and as a person living with a learning disability caused by issues with short-term memory. This perspective of language and communication is fractured and politicized. Honouring that my body and mind are not separate, I address the socio-political representations and implications of menstruation, reproduction and the biological body.