Kat Honey
Kat Honey is an award-winning graduate of OCAD. Often bold (but sometimes subtle), Kat’s work in collage, signage and painting is informed by her graphic design background.
Recent exhibitions include: The Red Head Gallery, Gladstone House’s Come Up to My Room, In Situ Multi-Arts Festival, Artist Project 2023 & 2024, and Fashion Art Toronto Fall/Winter 2023.
Kat recently designed and illustrated Bright Fish, a book of poetry by the late Lavell Ferris Baldock.
She also teaches collage (and other art subjects) online and in-person and hosts the popular Virtual Collage Jam on Youtube — featured in Kolag Magazine issue #34.
When she's not in the studio or teaching, Kat can often be found in her gym or out riding ne of her beloved bicycles...
ARTIST’S STATEMENT
Kat’s recent collage and decollage work remixes contemporary mainstream fashion imagery to investigate notions of identity, beauty, and evolving social norms.
How do we present ourselves to the world? How do outside pressures alter our self-expression? What feels safe? Dangerous? Beautiful? What complex layers lie below our shiny surfaces — kept hidden — or exposed by chance or circumstance?
These works are created by hand at magazine scale, then digitally enhanced and greatly enlarged, magnifying the qualities of printing dots, paper textures, tears and cuts.
Kat Honey is an award-winning graduate of OCAD. Often bold (but sometimes subtle), Kat’s work in collage, signage and painting is informed by her graphic design background.
Recent exhibitions include: The Red Head Gallery, Gladstone House’s Come Up to My Room, In Situ Multi-Arts Festival, Artist Project 2023 & 2024, and Fashion Art Toronto Fall/Winter 2023.
Kat recently designed and illustrated Bright Fish, a book of poetry by the late Lavell Ferris Baldock.
She also teaches collage (and other art subjects) online and in-person and hosts the popular Virtual Collage Jam on Youtube — featured in Kolag Magazine issue #34.
When she's not in the studio or teaching, Kat can often be found in her gym or out riding ne of her beloved bicycles...
ARTIST’S STATEMENT
Kat’s recent collage and decollage work remixes contemporary mainstream fashion imagery to investigate notions of identity, beauty, and evolving social norms.
How do we present ourselves to the world? How do outside pressures alter our self-expression? What feels safe? Dangerous? Beautiful? What complex layers lie below our shiny surfaces — kept hidden — or exposed by chance or circumstance?
These works are created by hand at magazine scale, then digitally enhanced and greatly enlarged, magnifying the qualities of printing dots, paper textures, tears and cuts.
$1,750.00
Limited edition print with archival inks on lustre paper (framed).
31.25x41.25"
Limited edition 1 of 3.
“Route Couture” is an enlarged, limited edition print from a collage made by hand using magazines and coloured papers. The enlarged prints afford the work the impact of scale, amplify the cuts, tears, textures and printing dots of the original, and circumvent any issues with non-archival collage materials.
$1,750.00
Limited edition print with archival inks on lustre paper (framed).
31.25x41.25"
Limited edition 1 of 3.
“Version 2.0” is an enlarged, limited edition print from a decollage made by hand using magazines, coloured and patterned papers, and various other collage materials. The enlarged prints afford the work the impact of scale, amplify the cuts, tears, textures and printing dots of the original, and circumvent any issues with non-archival collage materials.
$1,750.00
Limited edition print with archival inks on lustre paper (framed).
31.25x41.25"
Limited edition 2 of 3.
“Towards A Definitive...” is an enlarged, limited edition print from a decollage made by hand using magazines, coloured and patterned papers, and various other collage materials. The enlarged prints afford the work the impact of scale, amplify the cuts, tears, textures and printing dots of the original, and circumvent any issues with non-archival collage materials.
$1,750.00
Limited edition print with archival inks on lustre paper (framed).
31.25x41.25"
Limited edition 1 of 3.
“Strange Dance” is an enlarged, limited edition print from a decollage made by hand using magazines, coloured and patterned papers, and various other collage materials. The enlarged prints afford the work the impact of scale, amplify the cuts, tears, textures and printing dots of the original, and circumvent any issues with non-archival collage materials.
$1,750.00
Limited edition print with archival inks on lustre paper (framed).
31.25x41.25"
Limited edition 1 of 3.
“Spiked & Striped” is an enlarged, limited edition print from a decollage made by hand using magazines, coloured and patterned papers, and various other collage materials. The enlarged prints afford the work the impact of scale, amplify the cuts, tears, textures and printing dots of the original, and circumvent any issues with non-archival collage materials.
$1,750.00
Limited edition print with archival inks on lustre paper (framed).
31.25x41.25"
Limited edition 2 of 3.
“Rosy Flow” is an enlarged, limited edition print from a decollage made by hand using magazines, coloured and patterned papers, and various other collage materials. The enlarged prints afford the work the impact of scale, amplify the cuts, tears, textures and printing dots of the original, and circumvent any issues with non-archival collage materials.
$1,750.00
Limited edition print with archival inks on lustre paper (framed).
31.25x41.25"
Limited edition 1 of 3.
“I've Got This” is an enlarged, limited edition print from a decollage made by hand using magazines, coloured and patterned papers, and various other collage materials. The enlarged prints afford the work the impact of scale, amplify the cuts, tears, textures and printing dots of the original, and circumvent any issues with non-archival collage materials.
$1,750.00
Limited edition print with archival inks on lustre paper (framed).
31.25x41.25"
Limited edition 1 of 3.
“Doja Purity” is an enlarged, limited edition print from a decollage made by hand using magazines, coloured and patterned papers, and various other collage materials. The enlarged prints afford the work the impact of scale, amplify the cuts, tears, textures and printing dots of the original, and circumvent any issues with non-archival collage materials.
$1,750.00
Limited edition print with archival inks on lustre paper (framed).
41.25x31.25"
Limited edition 1 of 3.
“Tough Decision II” is an enlarged, limited edition print from a decollage made by hand using magazines, coloured and patterned papers, and various other collage materials. The enlarged prints afford the work the impact of scale, amplify the cuts, tears, textures and printing dots of the original, and circumvent any issues with non-archival collage materials.
$1,750.00
Limited edition print with archival inks on lustre paper (framed).
31.25x41.25"
Limited edition 3 of 3.
“Tough Decision” is an enlarged, limited edition print from a decollage made by hand using magazines, coloured and patterned papers, and various other collage materials. The enlarged prints afford the work the impact of scale, amplify the cuts, tears, textures and printing dots of the original, and circumvent any issues with non-archival collage materials.
$1,750.00
Limited edition print with archival inks on lustre paper (framed).
31.25x41.25"
Limited edition 1 of 3.
“She Never Really Felt He Saw Her” is an enlarged, limited edition print from a collage made by hand using magazines and coloured paper. The enlarged prints afford the work the impact of scale, amplify the cuts, tears, textures and printing dots of the original, and circumvent any issues with non-archival collage materials.
$1,750.00
Limited edition print with archival inks on lustre paper (framed).
31.25x41.25"
Limited edition 2 of 3.
“Sequincer” is an enlarged, limited edition print from a decollage made by hand using magazines, coloured and patterned papers, and various other collage materials. The enlarged prints afford the work the impact of scale, amplify the cuts, tears, textures and printing dots of the original, and circumvent any issues with non-archival collage materials.