Acrylic on canvas.

61x76x1.50"

Working on reflections is like stepping in to a parallel world, as if you paint your way in to a portal...

Acrylic on canvas.

48x36x1.50"

This work is a part of "Deep into woods" series, a mosaic style landscapes.

Paper cut (matted and framed).

25x37"

"You would say, it is a dedication, patience, focus. But really, it is an inspiration power. Our eye meets thousands of different shapes and forms every day, but there would be one that catches your attention, your time and your mind until you create your story about it. This time it was a gorgonia corral I found in my latest trip to Mexico." (Artist)

This work is a part of "Hitorias Del Mar" series

Media - Heavy stock specialty paper cut (high-end artisan wallpaper). Paper is carved with scalpel. Work is mounted and framed.

Paper cut (matted and framed).

25x37"

Media - Heavy stock specialty paper cut (high-end artisan wallpaper). Paper is carved with scalpel. Work is mounted and framed.

"You would say, it is a dedication, patience, focus. But really, it is an inspiration power. Our eye meets thousands of different shapes and forms every day, but there would be one that catches your attention, your time and your mind until you create your story about it. This time it was a gorgonia corral I found in my latest trip to Mexico."

Acrylic and mixed media on canvas.

36x48"

A while ago, I was listening to an interview with scientists on a climate/nature topic, and there was a remark said that visually stuck in my head - Hypothetically, if there were someone millions of years after humans, and they get to cut the Earth crust deep to study layers of the Earth periods, then among layers of soil and rocks, there will be this bright vivid layer of un-decomposed plastic - marking human's civilization. I often wonder what we will leave on this planet after we are gone. Well, apparently, there is some bright side to it.

(This piece is a part of "When Earth Calls" series)
In this series, I voice my feelings and thoughts on nature awareness, on the human/nature complicated relationship of connection and rejection. Incorporating earthy elements in this series, (such as wood and stones, along with man-made materials), my intention is to create a family of abstract pieces, rich in texture and deep earthy colours.

Acrylic on canvas (set of 2)

120x40"

"Rolling Hills"
About this work
"There are no beautiful surfaces without a terrible depth"
Nietzsche
This famous Nietzsche's quote was always one of my favourites, it spoke very deeply to me. People were debating for a while on the exact meaning of this quote, and it is probably because it is multifaceted. While working on my Rolling Hills, I saw a great fit of this beautiful words to my piece.
Rolling hills, soft and warm, under early summer sunset light, plush as sherpa, they are like cuddly waves that invite you to wander among them, enjoying the rich palette of changing colours. All that beauty that Nature presents on its surface... all that depth underneath responsible for such creations.

Paper cut (matted and framed).

21x21x2.75"

"I was always fascinated by trees, by their looks and sizes, by their shapes, texture and colours. Later I was more and more grateful to this giants for their importance in our habitats and lives. I owe to this silent beauties for inspiring me in my art for as long as I can remember.
This piece is a part of "It's All About Trees" series.
This piece is enclosed in a light box (battery operated). When lights in room are dimmed or turned off, the background of the work will become illuminated by a soft glow which brings the piece to a different life. See the last image for reference, which also includes "High Above" and "The Circle of Life."

Paper cut (matted and framed).

21x21x2.75"

"I was always fascinated by trees, by their looks and sizes, by their shapes, texture and colours. Later I was more and more grateful to this giants for their importance in our habitats and lives. I owe to this silent beauties for inspiring me in my art for as long as I can remember.
This piece is a part of "It's All About Trees" series.
This piece is enclosed in a light box (battery operated). When lights in room are dimmed or turned off, the background of the work will become illuminated by a soft glow which brings the piece to a different life. See the last image for reference, which also includes "High Above" and "Graceful Giant."

Paper cut (matted and framed).

21x21x2.75"

"I was always fascinated by trees, by their looks and sizes, by their shapes, texture and colours. Later I was more and more grateful to this giants for their importance in our habitats and lives. I owe to this silent beauties for inspiring me in my art for as long as I can remember.
This piece is a part of "It's All About Trees" series.
This piece is enclosed in a light box (battery operated). When lights in room are dimmed or turned off, the background of the work will become illuminated by a soft glow which brings the piece to a different life. See the last image for reference, which also includes "The Circle of Life" and "Graceful Giant"

Acrylic and resin on canvas.

48x30"

"Thoughts.... So very many of them, they are running through, inside and out like hi-speed trains. Sometimes they cripple and puzzle mind and start their complicated dances. Trying finding their loose ends or beginnings almost impossible. They are bright and dull, colorful and translucent, they are provocative and calming, each of them radiates its own light and energy. They could create a beautiful shawl if you could use them as yarn. But before, they need to be untangled and unraveled "

Acrylic and resin on canvas.

24x35.50"

"When I was little, I loved to play with other kids in the garden creating little hidden treasures and hiding them in the dirt. We would use little pieces of broken glass, layering them with some colorful shiny objects (as chocolate wrap) at the inner side of the glass and bury those in soil all over the garden. Then we would look for the hidden pieces and carefully wash away top soil layer, exposing shiny glass with hidden object inside.
I always had a thrill while playing that game and I would always remember those memories many years later. It felt magical - to create a little glass window in dirt with something shiny and precious hidden inside..."

Acrylic on wood.

48x48"

When you are experiencing humbling change and feeling resistless to what you are becoming... When petals of your soul start trembling through this metamorphic changes and you become lighter, softer and more intuitive to your surroundings.... You are becoming the new beginning, the new extension to your greater one, the one who knows how to live with love for yourself"

Acrylic on wood.

48x23.50"

From the Artist:
"Sleepy horses...what their dreams are about? Snuggled and cuddled in a twighlight haze, they sleepily shake their heads and listen to the whispers of distant stars..."

Acrylic on wood panel.

15.70x63.70"

Flowers are like nothing else remind me of us, they remind of how beautiful, fragile and short our journeys are

Acrylic on wood.

48x48"

Years ago during snorkelling in Mexico I had a unique chance of witnessing circling school of fish in the water. I was stunned by the captivating movement of hundreds of silver fishes, they were just going around and around and around in their amazing nirvana dance...I was watching them for what seemed like ages, hypnotized. They were one whole moving force, powerful and fragile, all as one following this invisible line, creating a perfection in their performance.

Acrylic on canvas.

16x40"

Stop and listen...listen to beauty. It is everywhere around you, you just need to pause and to notice it

Acrylic on wood.

85.30x33"

I was dreaming of blue mountains...

Acrylic on canvas.

30x24"

"Entering the colour world", is a series of paintings where the emphasis is made mainly on colour. I, as an artist, usually do not use a wide color palette in one work, most of my works are created in a chrome restrained manner, mostly in a monochromatic style, where shades and tones prevail over open colors. In the group of these works, my desire and focus were on a bright, lifeful palette, juicy and deep colors. A new style of broad stroke emerged during the work on this series.