See No Evil

Oil, acrylic, oil pastel, and mixed media on wood.

48x52x1.25"

This painting erupts with chaotic energy, fusing text, figuration, and material texture into a visceral tableau. At its center, a roughly sketched humanoid figure emerges—its exaggerated facial features and mask-like distortions suggesting themes of identity, performance, or psychological fragmentation. The figure is engulfed in a storm of brushstrokes: reds, blues, yellows, and blacks collide in expressive bursts, creating a sense of motion and emotional volatility.
Text plays a dominant role. The word SEXY repeats across the canvas in varying colors and styles, while fragmented letters—S, E, X, Y—scatter like visual debris. The word SEX appears prominently, both as a graphic element and a thematic provocation. These textual fragments blur the line between language and image, amplifying the painting’s raw immediacy.
Singer incorporates three-dimensional elements—painted fabric or paper—into the surface, adding tactile depth and disrupting the flatness of the canvas. These additions feel torn, layered, and embedded, reinforcing the sense of rupture and collage.