STARE is inspired by “stylewriting,” an urban artistic movement born on the east coast of the United States in the late ’60s. As an artist of calligraphy, he stay true to the essence, tradition and aesthetics of this movement all while pushing its habitual boundaries; presenting graffiti art from a different perspective so that it can be discovered and appreciated by a wider audience.

In his works, glyphs are treated as autonomous entities that defy their usual structures. Sketches, textures, shadows, lines and outlines become fundamental elements of the composition. His works are inspired by the materials and textures of the structure in itself as well as the surrounding area’s luminosity, seeking to interact with the surrounding architecture. Sometimes, this is done through contrasts that enliven the public sphere, other times through a contextual approach that mindfully seeks balance. Use of public space as well as the dialogue between his pieces and passersby are an integral part of his artistic practice and his views on the democratization of art. The materials and techniques he use are always chosen to create long-lasting pieces that age well within their environment.

In his studio practice, architectural elements that habitually house his works are reproduced and integrated into his pieces. Concrete, plaster, brick and even vegetation are the mediums used to forge a connection between his paintings and the urban environment.