Nanor Najarian

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Nanor Najarian is an Armenian-Canadian emerging artist based in the GTA. She has volunteered at Latcham Art Centre, Whitchurch Stouffville Public Library, and L’Alliance Française, and worked at Markham Public Library. She hopes to pass her love for creativity, languages, and learning on to younger generations through her work. Alongside being a full-time student, Nanor is a multi-media artist who specializes in painting, drawing, photography, and Czech glass beadwork. Nanor has a permanent instalment at her previous secondary school, and her art has been displayed at the Latcham Art Centre, in a Glendon campus art show, and at the Canadian Language Museum.

$350.00

Photography (set of 3 - framed).

10.50x8.50"

Limited edition 1 of 3.

No. 1 to No. 3 (full set)

This is a scene of my family cooking together. We were making manté, a traditional Armenian dish that is time consuming to make, but delicious. Manté is folded dough and meat, boiled and served with a dollop of tomato sauce. In this moment, my family is bonding by working and laughing together to make the process more efficient and enjoyable. The emotions of these documentary photos are solidified by atmospheric and classical composition and lighting. The style and subject matter embody warmth, nostalgia, love, and tradition through nourishment and quality time. When faced with unresolved cultural bereavement, creating art and cooking together comforts the soul and preserves tradition.

Important details:
⚜️The listed price is for all three photos
⚜️Framed with matting
⚜️All frames are the same size and orientation
⚜️Please see the additional images for accuracy, first image is to show framed set

Nanor Najarian

$1,200.00

Photography (Set of 10 - framed).

9.50x7.50"

Limited edition 1 of 2.

No. 1 to No. 10 (full series)

In my series, I navigate Barthes’ dichotomy of belonging and authenticity, seeking grace in self-portraiture without mimicry. I stage family artifacts within Delacroix’s orientalist palette, transforming Armenian-Syrian heritage into a tableau akin to his work. Technical finesse in the post-production stages, namely colour grading, emphasises a chosen aesthetic code. As both archivist and subject, I embody “the looked at image” and “the eye that looks,” crafting an empowered self-representation amidst orientalism’s complexities. The creative process sways between expressive and critical, mirroring Barthes’ conflicting languages. The serene stoicism of Delacroix’s bridal drawing is transposed, opting for a direct engagement with the viewer that asserts the subject’s presence on her significant day.

Important details:
⚜️The listed price is for all ten photos
⚜️Professionally framed
⚜️All frames are the same size, but are either portrait or landscape in orientation (9.5x7.5")
⚜️Please see the additional images for accuracy, first image is to show framed set

Nanor Najarian