Original Art Piece

FAQ de l’acheteur

Acrylic, modelling paste, isolation coat on canvas.

46x36"

"Booktropolis 2" is a testament to Christian's growth and dedication as an artist. This large, meticulously crafted piece, measuring 36 inches tall and 45 3/4 inches wide, builds on the foundation of the original "Booktropolis" with enhanced precision and detail. The sketching phase alone took several weeks, with Christian painstakingly ensuring the accuracy of each vanishing point.

The creation process involved layers of paint, careful application of painter's tape, and more paint, spanning a total of four months while Christian simultaneously tackled other projects. This artwork reflects his admiration for architecture and multidimensional compositions, embodying the belief that anything is possible with determination and effort.

To ensure off-canvas vanishing points were accurate, Christian ingeniously drilled a large plank behind the canvas and inserted large screws to hold the ruler in place. He used navy tones of red, blue, and yellow for the "books," Titan Buff for surfaces facing the right, and a homemade off-white for surfaces facing the sky. The graphite gray sky adds a sense of heaviness and intensity, making the cityscape stand out prominently.

"Booktropolis 2" has been compared to the film "Inception" by art fair attendees, highlighting its intricate, dream-like quality. This labor of love is one of Christian’s most cherished creations, showcasing his technical skill and creative vision. Note: Frame is not included.

Toronto based Hard Edge Abstraction Artist using tape, acrylic and modelling paste on canvas.

ARTIST’S STATEMENT

My work is a journey through hard-edge abstraction, exploring the balance between
order and expression. Using mediums such as acrylic paint, chalk paint, and modelling paste, I
create dynamic, structured compositions on canvases ranging from medium to large scale.
Driven by a fascination with geometric forms and the interplay of colour and texture, I aim to
bring clarity and depth to visual experiences.
In my creative process, I use various tools including brushes, artist blades, blue painters
tape, and a blow dryer. My technique involves sketching outlines, underpainting layers, taping
out shapes, and meticulously applying matte medium to prevent bleeding. Often, I mix paints
with modelling paste to add depth and texture, before blow-drying and peeling off the tape to
reveal crisp, clean edges. Influenced by architectural forms,
basic human figures, and the exploration of Filipino culture,
my work reflects a synthesis of structured planning and
spontaneous creation. One piece that encapsulates these
influences is "BOOKTROPOLIS," where rigid lines and
layered textures evoke both the precision of architectural
designs and the vibrant essence of urban landscapes.
As a Toronto-based artist, I am inspired by the city's
rich cultural tapestry and architectural diversity. Currently, I
am working on a new series that explores the contrasts
between natural and constructed environments, which I aim
to feature in future exhibitions. Additionally, I am preparing
for a solo show by the end of this year or the start of the
next, where I will debut a collection focused on the
interaction of light and shadow within abstract forms.
Through these projects, I aim to further explore the balance
of structure and spontaneity, inviting viewers to engage with
the layered complexity of my work.
In conclusion, my art is a continuous dialogue between
meticulous craftsmanship and creative exploration. As I
look towards future projects and exhibitions, I remain
committed to pushing the boundaries of hard-edge
abstraction and sharing my vision with a wider audience.
By offering pieces for sale and accepting commissions, I
hope to bring my structured yet expressive approach to a
diverse range of settings and collectors.