Melanie Billark
Melanie Billark is an emerging, multi-disciplinary, Toronto based artist. Her body of work surrounds themes of social and political issues that effect and surround principals of ecology. Her work strives to create awareness to various environmental issues within the public sphere.
Melanie achieved an advanced diploma in 2011 at Sheridan College’s Craft and Design Program for glass in Oakville, ON. She majored in kiln forming and minored in sand casting. Following her degree she completed a year artist residency at the Living Arts Centre in Mississauga, ON, in 2012. Melanie’s glasswork has been showed in a number of galleries and displayed in various spaces across the GTA. Such venues include Toronto’s Pearson Airport, OCC, and has participated in a number of local arts and craft based shows.
Graduate of OCADU's Sculpture and Installation program, obtaining her BFA in 2016. Melanie has participated in a number of local shows across the GTA such venues include Lonsdale Gallery, Canadian Sculpture Centre, Gladstone Hotel, Toronto Pearson Airport, and Xpace Cultural Centre. Melanie has also shown Internationally at Treefort Gallery and created a Community Based Installation at Kidfort, both part of Treefort Music Fest 2018 and 2019 in Boise, Id.
Melanie has also participated in a variety of community based and public art projects such as: Luminato Festival, Nuit Blanche, CoNextions for The Town of Oakville, Find Your Element in Toronto, ON, designer and creator of PLAYstations at Aurora Early Learning Centre, and Artist in Coxwell Laneway Project.
ARTIST’S STATEMENT
Throughout history humans have had a negative impact on natural systems within the environment. We have constantly taken natural resources in order to survive, changing and interfering with natural systems in order to adapt and accommodate our ever-changing lifestyles. How can this process of interference become a process of healing, mending, or repairing our relationship with nature?
My practice sheds light on these social and political issues that effect and surround principals of ecology. Within my work I attempt to bring awareness to certain issues that concern and petrify me. I often create work that activates public spaces and encourages public engagement, while incorporating the process of re-wilding.
I often question our impact and relationship, including my own, with the natural environment and convey these contemplations through sculpture, site-specific interventions, and performance-based work.
Melanie Billark is an emerging, multi-disciplinary, Toronto based artist. Her body of work surrounds themes of social and political issues that effect and surround principals of ecology. Her work strives to create awareness to various environmental issues within the public sphere.
Melanie achieved an advanced diploma in 2011 at Sheridan College’s Craft and Design Program for glass in Oakville, ON. She majored in kiln forming and minored in sand casting. Following her degree she completed a year artist residency at the Living Arts Centre in Mississauga, ON, in 2012. Melanie’s glasswork has been showed in a number of galleries and displayed in various spaces across the GTA. Such venues include Toronto’s Pearson Airport, OCC, and has participated in a number of local arts and craft based shows.
Graduate of OCADU's Sculpture and Installation program, obtaining her BFA in 2016. Melanie has participated in a number of local shows across the GTA such venues include Lonsdale Gallery, Canadian Sculpture Centre, Gladstone Hotel, Toronto Pearson Airport, and Xpace Cultural Centre. Melanie has also shown Internationally at Treefort Gallery and created a Community Based Installation at Kidfort, both part of Treefort Music Fest 2018 and 2019 in Boise, Id.
Melanie has also participated in a variety of community based and public art projects such as: Luminato Festival, Nuit Blanche, CoNextions for The Town of Oakville, Find Your Element in Toronto, ON, designer and creator of PLAYstations at Aurora Early Learning Centre, and Artist in Coxwell Laneway Project.
ARTIST’S STATEMENT
Throughout history humans have had a negative impact on natural systems within the environment. We have constantly taken natural resources in order to survive, changing and interfering with natural systems in order to adapt and accommodate our ever-changing lifestyles. How can this process of interference become a process of healing, mending, or repairing our relationship with nature?
My practice sheds light on these social and political issues that effect and surround principals of ecology. Within my work I attempt to bring awareness to certain issues that concern and petrify me. I often create work that activates public spaces and encourages public engagement, while incorporating the process of re-wilding.
I often question our impact and relationship, including my own, with the natural environment and convey these contemplations through sculpture, site-specific interventions, and performance-based work.
$2,400.00
Sandcasted glass, concrete sculptures
24x30x21"
Fossil Forrest is made from sand casted glass, with hot sculpted mushroom inclusions, mounted in concrete. This installation represents our disconnection to the distruction happening to our natural world, specifically in Canada. These sculptures are meant to represent tree tombstones or tree fossils from our old growth forests. These sculptures can be arranged in numberous ways and can be displayed indoor or outdoor year-round.
$2,600.00
Found objects, upcycled thrift items, air ink pollution markers, naturally hand dyed fabrics.
40x42x5"
"Sea Cycle" was created during a month long artist residency at Studio H in Metchosin, Brittish Columbia, Canada, in 2021. Melanie drove across Canada from Toronto, ON, to Victoria, BC, to experience the landscape and be immersed within the natural surroundings, only packing basic art materials and hand tools. During her self-directed artist residency Melanie collected second hand items, plastic waste and recyclables from the shores, and natural items to create this unique landscape. This sculptural painting was created in response to Melanie’s surroundings, local materials, and found objects. This work was created by using up-cycled thrift store items, found objects, air-ink pollution markers, natural items including hand dyed fabrics from local berries, and recyclables.
Wall Mount included