Acrylic, mixed media on acrylic panel.

23x36x1"

In creating this piece, I delved into Japanese symbolism like using the Enso circular brush stroke done with one sweep of the hand ...no planning no thinking just intuitive energy. Named "HARA" which means centre of the body in Japanese but also one's true nature, who one truly is as a human being, so it is not just a physical centre in the body but also of one's self. This painting is a harmonious blend of expressionism and minimalism. Embracing the tactile richness of acrylics, up-cycled collage elements, silver gilded touches, and the subtle sheen of pearl- like colours, I orchestrated a symphony of luminous rich textures- inviting touch This artwork is a contemplative gateway, inviting introspection and tranquil reflection, infusing any space with its calming energy and timeless elegance. Framed on a black contemporary frame.

Texture and light are two key elements in my work, as I aim to blur the line between painting and sculpture, inviting touch. The textured layers, are mainly created using a palette knife, laying them down thick and thin, scraping them, allowing some parts to come through. I also use multiple thin veils/layers of colour which are overlapped to create colour-fields and luminosity. It is the combination of the overlaying process that creates a highly textured and luminous final image. To achieve the patina, look in my paintings I use metallic paint and metal foils to achieve more luminosity.

Acrylic on canvas.

17x13x1"

Tranquil Waters is a very "calm" painting that has a lot of depth to it and an amazing range of blues. The texture and atmospheric effect is very captivating. It comes framed with a white wood contemporary frame.
Texture and light are two key elements in my work, as I aim to blur the line between painting and sculpture, inviting touch. The textured layers, are mainly created using a palette knife, laying them down thick and thin, scraping them, allowing some parts to come through. I also use multiple thin veils/layers of colour which are overlapped to create colour-fields and luminosity. It is the combination of the overlaying process that creates a highly textured and luminous final image. To achieve the patina, look in my paintings I use metallic paint and metal foils to achieve more luminosity.

Oil on canvas.

36x24x1.50"

Quiet My Soul is a semi-abstract seascape , this minimalistic painting is inspired by the Pacific West coast where Iive with an attempt to eliminate man made objects keeping the essence of the landscape. Every day the sunrises and sunsets are different changin in colours and reflections with the passing of clouds, changing light levels and at the same time making someone feel still in the moment.



My art is by the Pacific Ocean. Drawing on my background in science, I create evocative and purposely imperfect paintings inspired by nature’s geological patinas, and the amazing colours of dawn and dusk. I use mixed media for its capacity to create a visual and tactile experience. I curate combinations of materials and techniques to abstract reality, telling a story to elicit the viewer’s emotional response inspiring self-discovery, peace, calmness and mindfulness.The beauty, force and energy of water and its associated reflective light have always drawn me in as a scientist and as an artist.



My paintings are abstracts and impressionistic seascapes and coastal horizons. They don’t represent an actual place, but are an emotional response to my environment and my aim to convey calm and balance and to feel uplifted and at peace. This connection I have with water its associated reflections, and the amazing colours and hues of dawn and dusk is what inspires most of my seascapes.

Oil on wood panel.

36x24x1.50"

“Sea Meets Sky,” was inspired by a recent trip to Iceland’s glacier lagoons where I was blown away at how much glaciers had reseeded and melted in the last decades. By showcasing their beauty and fragility it will bring awareness on this issue. I only depicted the water to convey the message that glaciers around the world are rapidly disappearing. The distinct sharp horizon line, intuitively depicts the transition between sky and water, but it also depicts a “line of raising waters” due to melting glaciers.

Acrylic on canvas.

13x13x1.50"

An abstraction of an ocean wave cresting and or the ripples of water in a lake. The ocean is a vital component in nature and an international icon across cultures and countries. Today with climate change and pollution it’s ecological integrity and beauty is threatened. The beauty, force and energy of water have always drawn me in. I am fascinated with the way light reflects in the water especially during sunset. My paintings do not intend to capture a single moment, but instead endeavor to create a space where nothing stands still.
To emulate the play of light I use metallic paints and inks and I use mixed media to emulate the ripples and waves in the water and in some cases, just a little bit of sand, these pieces exude the natural and soulful energy that oceans, rivers and lakes have brought me since birth.

Acrylic mixed media on canvas.

48x12x1.50"

Inspired by a beautiful foggy dawn viewed from a rocky beach. Texture and light are two key elements in my work, as I aim to blur the line between painting and sculpture, inviting touch. The textured layers, are mainly created using a palette knife, laying them down thick and thin, scraping them, allowing some parts to come through. I also use multiple thin veils/layers of colour which are overlapped to create colour-fields and luminosity. It is the combination of the overlaying process that creates a highly textured and luminous final image. To achieve the patina, look in my paintings I use metallic paint and metal foils to achieve more luminosity

Acrylic on canvas.

40x16x1.50"

Inspired by a golden sunset over the Rockie mountains. To emulate the play of light I use metallic paints and inks and I use mixed media to emulate the ripples and waves in the water and in some cases, just a little bit of sand, these pieces exude the natural and soulful energy that oceans, rivers and lakes have brought me since birth.
My process starts by finding something that moves me in nature that is rugged and imperfect, like rock outcrops, patinas or the reflection of light on water, inspirations that I want to convey on canvas in an abstract way, inviting the viewer to touch them.
Texture and light are two key elements in my work, as I aim to blur the line between painting and sculpture, inviting touch. The textured layers, are mainly created using a palette knife, laying them down thick and thin, scraping them, allowing some parts to come through. I also use multiple thin veils/layers of colour which are overlapped to create colour-fields and luminosity. It is the combination of the overlaying process that creates a highly textured and luminous final image. To achieve the patina, look in my paintings I use metallic paint and metal foils to achieve more luminosity.
I like to abstract reality, telling a story to elicit an intimate aesthetic and emotional response. To experience this fully, the viewer must enter the multiple layers, shades and textures of my work, and be seduced into a visual and tactile encounter inspiring self-discovery, empathy, meditation and mindfulness.

Acrylic on canvas.

24x20x1"

Blue Flash was inspired by a beautiful sunset while vacationing in Mexico. I chose to name it Blue Flash as it is a phenomenon blue flash is a rare phenomenon observed in the evening when the sun is crossing or immediately below the horizon, in which a momentary flash of blue light appears above the upper rim of the solar disk, caused by the refraction of light in the atmosphere that brings the end of a day and the beginning of the night. Its delicate nature invites calmness and a soothing touch. Framed with a white contemporary frame.

I am fascinated with the way light reflects in the water especially during sunset. My paintings do not intend to capture a single moment, but instead, endeavor to create a space where nothing stands still.
To emulate the play of light I use metallic paints and inks and I use mixed media to emulate the ripples and waves in the water and in some cases, just a little bit of sand, these pieces exude the natural and soulful energy that oceans, rivers and lakes have brought me since birth.

Acrylic on canvas.

30x24x1.50"

I love fall and this is one of my favourite places to hike, and find serenity and peace. I tried to capture the essence of the landscape and the beautiful warm colours of the vegetation and the azure colour of the lake. Although a bit more representational than my usual semi- abstract ethereal seascapes I painted this painting to elicit an intimate aesthetic and emotional response. To experience this fully, the viewer must enter the multiple layers, shades and textures of my work, and be seduced into a visual and tactile encounter inspiring self-discovery, empathy, meditation and mindfulness.

Acrylic, gold leaf, and sand on canvas.

21x17x1"

Bring the serenity of the beach into your home with 'Low Tide". This stunning 16x20 in., acrylic on canvas captures the essence of a tranquil evening by the sea during a low tide. The painting includes 24K gold leaf and real sand. I often include sand or earth on my artworks to connect with the places that inspire me, in this case the beach. Framed with a black wood contemporary frame.

My process starts by finding something that moves me in nature that is rugged and imperfect, like rock outcrops, patinas or the reflection of light on water, inspirations that I want to convey on canvas in an abstract way, inviting the viewer to touch them.
Texture and light are two key elements in my work, as I aim to blur the line between painting and sculpture, inviting touch. The textured layers, are mainly created using a palette knife, laying them down thick and thin, scraping them, allowing some parts to come through. I also use multiple thin veils/layers of colour which are overlapped to create colour-fields and luminosity. It is the combination of the overlaying process that creates a highly textured and luminous final image. To achieve the patina, look in my paintings I use metallic paint and metal foils to achieve more luminosity.

Acrylic on canvas.

15x12x1"

Happy Hour" reminds us of the beautiful sunsets and happy hours we cherish when we are on holidays especially somewhere warm and happy. This is a petite painting that has a lot of chMy process starts by finding something that moves me in nature that is rugged and imperfect, like rock outcrops, patinas or the reflection of light on water, inspirations that I want to convey on canvas in an abstract way, inviting the viewer to touch them.
My process starts by finding something that moves me in nature that is rugged and imperfect, like rock outcrops, patinas or the reflection of light on water, inspirations that I want to convey on canvas in an abstract way, inviting the viewer to touch them.
Texture and light are two key elements in my work, as I aim to blur the line between painting and sculpture, inviting touch. The textured layers, are mainly created using a palette knife, laying them down thick and thin, scraping them, allowing some parts to come through. I also use multiple thin veils/layers of colour which are overlapped to create colour-fields and luminosity.