Acrylic, photo transfer, on stretched canvas.

20x18x0.75"

From Saranac Series on the history of Saranac Lake N.Y. as a location for tuberculosis treatment. The figure is taken from Munch's paintings about his sister. The work was exhibited at the Lake Placid Center for the Arts and then moved to a storefront gallery in Saranac Lake.

Watercolour on rag paper with acid free mat.

26.25x26.25x1"

Glass and silver metal frame.

Acrylic, photo transfer, organza on stretched canvas.

30x24x1"

The piece was created during a two-week Oshawa street project where I worked in the display windows at BrushStrokes store. Our aim was to expose/articulate commercial change within the civic landscape, with hopes for urban renewal in a beleaguered yet feisty city core. I exhibited the artworks in several venues including RedHead Gallery. This piece contains images from the demolition of ACSYS to make way for Costco and a shopping area. The earth was being meticulously cleaned since the GM paint plant had been there.

Acrylic, doily, solar print, transfer on organza on canvas substrate.

16x20x1"

A playful jest.

Acrylic, photo transfer on canvas.

18x14x1"

Based on a photograph taken of charts in a storefront acupuncture window. The piece was created during a two-week Oshawa street project where I worked in the display windows at BrushStrokes store. The aim was to expose/articulate commercial change within the civic landscape, with hopes for urban renewal in a beleaguered yet feisty city core.

Acrylic, photo transfer on canvas.

14x18.25x1"

Based on a photograph taken of charts in a storefront acupuncture window. The piece was created during a two-week Oshawa street project where I worked in the display windows at BrushStrokes store. The aim was to expose/articulate commercial change within the civic landscape, with hopes for urban renewal in a beleaguered yet feisty city core.

Acrylic on stretched canvas with solar printed doily.

14x16x1"

Highly textured surface

Acrylic, photo transfer, metal leaf on canvas.

16x12x0.75"

The piece was created during a two-week Oshawa street project where Rodgers and Wendy Wallace worked in the display windows at BrushStrokes store. Our aim was to expose/articulate commercial change within the civic landscape, with hopes for urban renewal in a beleaguered yet feisty city core. We exhibited the artworks in several venues including RedHead Gallery.

Acrylic, photo transfer on stretched canvas.

16x12x0.75"

From my series RENEWAL, based on my photographs of downtown Oshawa. The piece was created during a two-week Oshawa street project where Rodgers and partner Wendy Wallace worked in the display windows at BrushStrokes store. Our aim was to expose/articulate commercial change within the civic landscape, with hopes for urban renewal in a beleaguered yet feisty city core. We exhibited the artworks in several venues including RedHead Gallery.

Acrylic paint, metal tape, photo transfer on canvas.

30x24"

From a series of artworks based upon the images and memories surrounding current and historical attempts to revive the once vital and hopefully renewable inner core. In all of the work I am interested in expressing the movement between concept and formal exploration, and the way in which they intertwine.

Acrylic, photo transfer on canvas.

30x24"

Urban renewal in downtown Oshawa. Rodgers and Wallace would undertake an Oshawa street project in April of this year, in order to expose/articulate commercial change within civic landscape. Oshawa has been and remains an important industrial centre as well as a base for a suburban economy. This body of work is based on hopes for urban renewal in a beleaguered yet feisty city core. Wallace would paint what could be seen from inside a transparent box, until the artist herself had disappeared behind her painted images. Rodgers would produce a series of photograph/painting hybrids based on Oshawa’s downtown, working in the display window at Brush Strokes and interacting with passersby. In addition, a collaborative sound piece would be broadcast from the site.

Our hosts were Anna and Newell, proprietors of BrushStrokes.

Acrylic, photo transfer on canvas.

37x25x1.25"

From series about renewal in downtown Oshawa. Rodgers and Wallace would undertake an Oshawa street project in April of this year, in order to expose/articulate commercial change within civic landscape. Oshawa has been and remains an important industrial centre as well as a base for a suburban economy. This body of work is based on hopes for urban renewal in a beleaguered yet feisty city core. Wallace would paint what could be seen from inside a transparent box, until the artist herself had disappeared behind her painted images. Rodgers would produce a series of photograph/painting hybrids based on Oshawa’s downtown, working in the display window at Brush Strokes and interacting with passersby. In addition, a collaborative sound piece would be broadcast from the site.

Our hosts were Anna and Newell, proprietors of BrushStrokes.

Acrylic on stretched canvas.

23x37x1.70"

From my series BIG GIRLS, featuring works on canvas depicting pre-teen girls and the related sociological issues. The exhibition was held at Oshawa's YWCA and was supported by the Ontario Arts Council.

Acrylic on stretched canvas.

30x52"

From my series BIG GIRLS, featuring works on canvas depicting pre-teen girls and the related sociological issues. The exhibition was held at Oshawa's YWCA and was supported by the Ontario Arts Council.

Acrylic, photo transfer, organdy, q-tips, styrofoam on stretched canvas.

22x28"

Acrylic and photo transfers on canvas.

36x26x0.60"

Lament for destruction of heritage home. How do we find redemption for such stupidity?

Fabric, ink, and mixed media on canvas.

40x48x0.50"

Acrylic on stretched canvas.

24x26x0.50"

The image refers to a painting by Mary Hiester Reid, an early 20C flower painter featured in Molly Peacock's book "Flower Diary: In Which Mary Hiester Reid Paints, Travels, Marries & Opens a Door."

Acrylic on stretched canvas.

36x26x0.50"

For a Nuit Blanche exhibition where the theme whiteout was explored. Here the painting obliterates a previous artwork that peeps through.

Acrylic on stretched canvas.

32x24"

From a series depicting images around Lake Placid and Saranac Lake NY.